Comparative mythology corpus
Storytelling and Narrative as Sacred Power
108 tagged occurrences across 16 traditions.
The act of telling stories as a means of survival, transmission of wisdom, or sacred power. Includes frame narratives, stories within stories, and oral transmission as a technology of cultural memory.
These counts are generated from tagged extraction evidence. Similarity means structural or thematic recurrence unless a source record explicitly supports historical contact.
Child Motifs
Tradition Frequency
Relative bars compare traditions inside this family.How Each Tradition Tells It
Evidence is collapsed by default so the page stays scannable.
Greek
How This Tradition Tells It
33 occurrences
How This Tradition Tells It
In Greek, this family appears through Divinely Affiliated Singer With Lyre (1), Invocation Of Divine Witnesses For Heroic Catalogue (1), Personified Speech Or Rumor As Persistent Divine Force (1). The strongest concentration is currently in The Iliad and Hesiod, the Homeric Hymns, and Homerica. This is a deterministic summary of 33 tagged motif occurrences, not a claim of historical transmission.
| Text | Line Range | Confidence | Child Motif | Extraction |
|---|---|---|---|---|
| Aesop's Fables; a new translation | THE FARMER, HIS BOY, AND THE ROOKS / THE ASS AND THE DOG / THE ASS CARRYING THE IMAGE / THE ATHENIAN AND THE THEBAN; lines 4178-4195 | high | Rival Praise Of Local Heroes | record |
| Aesop's Fables; a new translation | THE GOAT AND THE VINE / THE TWO POTS / THE OLD HOUND / THE CLOWN AND THE COUNTRYMAN; lines 2862-2889 | high | Public Contest Of Performers Before A Judging Crowd | record |
| Aesop's Fables; a new translation | THE KINGDOM OF THE LION / THE ASS AND HIS DRIVER / THE LION AND THE HARE / THE WOLVES AND THE DOGS; lines 3763-3778 | medium | Enemy Rhetoric Exploiting Grievance | record |
| Hesiod, the Homeric Hymns, and Homerica | ENDNOTES / PREPARERS NOTE / PREFACE / INTRODUCTION; lines 1108-1144 | medium | Poetic Contest Between Rival Poets | record |
| Hesiod, the Homeric Hymns, and Homerica | ENDNOTES / PREPARERS NOTE / PREFACE / INTRODUCTION; lines 366-450 | medium | Poetic Contest With Prize Dedication | record |
| Hesiod, the Homeric Hymns, and Homerica | INTRODUCTION / BIBLIOGRAPHY / HESIOD / HESIODS WORKS AND DAYS; lines 2169-2282 | medium | Personified Speech Or Rumor As Persistent Divine Force | record |
| Hesiod, the Homeric Hymns, and Homerica | THE EXPEDITION OF AMPHIARAUS / THE TAKING OF OECHALIA / THE PHOCAIS / THE MARGITES; lines 8294-8325 | medium | Divinely Affiliated Singer With Lyre | record |
| Hesiod, the Homeric Hymns, and Homerica | THE MARGITES / THE CERCOPES / THE BATTLE OF FROGS AND MICE / OF THE ORIGIN OF HOMER AND HESIOD, AND OF THEIR CONTEST; lines 9018-9053 | medium | Public Recitation Leading To Civic And Sacred Recognition | record |
Show 25 more passages
| Text | Line Range | Confidence | Child Motif | Extraction |
|---|---|---|---|---|
| Hesiod, the Homeric Hymns, and Homerica | THE MARGITES / THE CERCOPES / THE BATTLE OF FROGS AND MICE / OF THE ORIGIN OF HOMER AND HESIOD, AND OF THEIR CONTEST; lines 9018-9053 | high | Self Composed Epitaph Before Death | record |
| Hesiod, the Homeric Hymns, and Homerica | XVIII. TO HERMES / XIX. TO PAN / XX. TO HEPHAESTUS / XXI. TO APOLLO; lines 7229-7248 | medium | Deity Praised By Natural And Human Singers | record |
| Hesiod, the Homeric Hymns, and Homerica | XXII. TO POSEIDON / XXIII. TO THE SON OF CRONOS, MOST HIGH / XXIV. TO HESTIA / XXV. TO THE MUSES AND APOLLO; lines 7271-7287 | high | Divine Patronage Of Singers And Music | record |
| Phaedrus | PHAEDRUS / INTRODUCTION. / ON THE DECLINE OF GREEK LITERATURE. / PHAEDRUS; lines 2636-2763 | medium | Authorship As Public Immortality | record |
| Phaedrus | PHAEDRUS / INTRODUCTION. / ON THE DECLINE OF GREEK LITERATURE. / PHAEDRUS; lines 2765-2908 | medium | Speech As Enchantment Of The Mind | record |
| Phaedrus | PHAEDRUS / INTRODUCTION. / ON THE DECLINE OF GREEK LITERATURE. / PHAEDRUS; lines 3313-3435 | high | Enchantment Of The Soul By Speech | record |
| The Iliad | BOOK XIII. / ARGUMENT. / BOOK XIV. / JUNO DECEIVES JUPITER BY THE GIRDLE OF VENUS.; lines 14216-14272 | high | Invocation Of Divine Witnesses For Heroic Catalogue | record |
| The Iliad | CONCLUDING NOTE. / INTRODUCTION. / THEODORE ALOIS BUCKLEY. / POPES PREFACE TO THE ILIAD OF HOMER; lines 1209-1300 | medium | Poetry As Fertile Garden Or Nursery | record |
| The Iliad | CONCLUDING NOTE. / INTRODUCTION. / THEODORE ALOIS BUCKLEY. / POPES PREFACE TO THE ILIAD OF HOMER; lines 1471-1552 | medium | Living Or Animated Speech | record |
| The Iliad | CONCLUDING NOTE. / INTRODUCTION. / THEODORE ALOIS BUCKLEY. / POPES PREFACE TO THE ILIAD OF HOMER; lines 1939-2031 | medium | Lineage Of Poetic Authority And Patronage | record |
| The Iliad | THE FIFTH BATTLE AT THE SHIPS; AND THE ACTS OF AJAX. / BOOK XVI. / ARGUMENT / THE SIXTH BATTLE, THE ACTS AND DEATH OF PATROCLUS; lines 15781-15909 | high | Heroic Fame As The Remaining Possession Of The Dead | record |
| The Iliad | THE REDEMPTION OF THE BODY OF HECTOR. / CONCLUDING NOTE. / A. POPE / END OF THE ILIAD; lines 23454-23581 | medium | Blind Poor Bard Remembered As Sweetest Singer | record |
| The Iliad | THE REDEMPTION OF THE BODY OF HECTOR. / CONCLUDING NOTE. / A. POPE / END OF THE ILIAD; lines 23454-23581 | high | National Songs Preserved In Memory Before Writing | record |
| The Iliad | THE TRIAL OF THE ARMY, AND CATALOGUE OF THE FORCES. / BOOK III. / ARGUMENT. / THE DUEL OF MENELAUS AND PARIS.; lines 4305-4445 | medium | Woman Weaving The War Caused Around Her | record |
| The Iliad | The Iliad / CONCLUDING NOTE. / INTRODUCTION.; lines 288-380 | high | Poet's Work Appropriated By False Claimant | record |
| The Iliad | The Iliad / CONCLUDING NOTE. / INTRODUCTION.; lines 586-663 | medium | Oral Preservation By Trained Bards | record |
| The Iliad | The Iliad / CONCLUDING NOTE. / INTRODUCTION.; lines 825-909 | medium | Oral Songs Arising From Communal Memory Of War | record |
| The Odyssey | BOOK XXII / BOOK XXIII / BOOK XXIV / FOOTNOTES:; lines 11743-11857 | medium | Unmade Textile As Prolonged Device | record |
| The Odyssey | THE MEETING BETWEEN NAUSICAA AND ULYSSES. / BOOK VII / RECEPTION OF ULYSSES AT THE PALACE OF KING ALCINOUS. / BOOK VIII; lines 3496-3597 | high | Bardic Performance Nested Within The Main Narrative | record |
| The Odyssey | THE MEETING BETWEEN NAUSICAA AND ULYSSES. / BOOK VII / RECEPTION OF ULYSSES AT THE PALACE OF KING ALCINOUS. / BOOK VIII; lines 3787-3798 | high | Divinely Arranged Suffering Preserved In Song | record |
| The Republic | BOOK VII. / BOOK VIII. / BOOK IX. / BOOK X.; lines 23819-23921 | medium | Emotional Contagion Through Represented Suffering | record |
| The Republic | PERSONS OF THE DIALOGUE. / BOOK I. / BOOK II. / BOOK III.; lines 12131-12273 | high | Poet Assuming Another Person Through Imitation | record |
| The Republic | THE REPUBLIC. / PERSONS OF THE DIALOGUE. / BOOK I. / BOOK II.; lines 11782-11797 | high | Regulation Of Divine Stories For Youth Education | record |
| The Republic | The Republic / THE REPUBLIC / INTRODUCTION AND ANALYSIS.; lines 165-251 | medium | Exile Of Deceptive Poetic Imitation | record |
| The Republic | The Republic / THE REPUBLIC / INTRODUCTION AND ANALYSIS.; lines 5618-5704 | medium | Rivalry Of Poetry And Philosophy | record |
Celtic Irish
How This Tradition Tells It
15 occurrences
How This Tradition Tells It
In Celtic Irish, this family appears through Enchanted Drink Causing Sleep At A Feast (1), Hero Praised Through Catalogue Of Exploits Before Battle (1), Oral Transmission Of Heroic Legend In Domestic Settings (1). The strongest concentration is currently in Gods and Fighting Men and Heroic Romances of Ireland. This is a deterministic summary of 15 tagged motif occurrences, not a claim of historical transmission.
| Text | Line Range | Confidence | Child Motif | Extraction |
|---|---|---|---|---|
| Gods and Fighting Men | CHAPTER I. OISIN'S STORY / CHAPTER II. OISIN IN PATRICK'S HOUSE / CHAPTER III. THE ARGUMENTS / CHAPTER IV. OISIN'S LAMENTS; lines 15091-15228 | medium | Songbird Preserving Memory Of Former Heroes | record |
| Gods and Fighting Men | CHAPTER I. THE LAD OF THE SKINS / CHAPTER II. BLACK, BROWN, AND GREY / CHAPTER III. THE HOUND / CHAPTER IV. RED RIDGE; lines 7054-7083 | high | Pacification Through Poetic Speech | record |
| Gods and Fighting Men | CHAPTER II. MEARGACH'S WIFE / CHAPTER III. AILNE'S REVENGE / BOOK NINE: THE WEARING AWAY OF THE FIANNA. / CHAPTER I. THE QUARREL WITH THE SONS OF MORNA; lines 13786-13882 | high | Poetic Song As Peacemaking Force | record |
| Gods and Fighting Men | CHAPTER III. THE ARGUMENTS / CHAPTER IV. OISIN'S LAMENTS / NOTES / I. THE APOLOGY; lines 15253-15337 | medium | Oral Transmission Of Heroic Legend In Domestic Settings | record |
| Gods and Fighting Men | CHAPTER IV. THE HARD SERVANT / CHAPTER V. THE HOUSE OF THE QUICKEN TREES / BOOK SEVEN: DIARMUID AND GRANIA. / CHAPTER I. THE FLIGHT FROM TEAMHAIR; lines 11428-11494 | high | Enchanted Drink Causing Sleep At A Feast | record |
| Gods and Fighting Men | CHAPTER IX. THE HIGH KING'S SON / CHAPTER X. THE KING OF LOCHLANN AND HIS SONS / CHAPTER XI. LABRAN'S JOURNEY / CHAPTER XII. THE GREAT FIGHT; lines 8041-8132 | high | Poetic Praise Increases Warrior Courage | record |
| Gods and Fighting Men | CHAPTER VII. THE FIRST FIGHTERS / CHAPTER VIII. THE KING OF ULSTER'S SON / CHAPTER IX. THE HIGH KING'S SON / CHAPTER X. THE KING OF LOCHLANN AND HIS SONS; lines 7824-7919 | high | Praise Or Rebuke Restores A Warrior's Courage | record |
| Heroic Romances of Ireland | THE APPARITION OF THE GREAT QUEEN TO CUCHULAIN / INTRODUCTION / THE APPARITION OF THE GREAT QUEEN TO CUCHULAIN / FROM THE YELLOW BOOK OF LECAN (FOURTEENTH CENTURY); lines 12247-12408 | high | Magical Satire And Insult Song | record |
Show 7 more passages
| Text | Line Range | Confidence | Child Motif | Extraction |
|---|---|---|---|---|
| Heroic Romances of Ireland | THE EXILE OF THE SONS' OF USNACH / INTRODUCTION / THE EXILE OF THE SONS OF USNACH / BOOK OF LEINSTER VERSION; lines 4080-4185 | medium | Marvelous Voice Producing Abundance And Delight | record |
| Heroic Romances of Ireland | THE RAID FOR THE CATTLE OF FRAECH / TAIN BO FRAICH / Part I / LITERAL TRANSLATION; lines 9868-9987 | high | Three Kinds Of Music Named From Childbirth Emotions | record |
| Heroic Romances of Ireland | THE RAID FOR THE CATTLE OF REGAMON / LITERAL TRANSLATION / THE DRIVING OF THE CATTLE OF FLIDAIS / INTRODUCTION; lines 11464-11571 | high | Poet Satirist Compels Or Redirects Obligation | record |
| The Ancient Irish Epic Tale Tain Bo Cualnge | HERE FOLLOWETH ILIACH'S CLUMP-FIGHT / HERE NOW THE DEER-STALKING OF AMARGIN IN TALTIU / THE ADVENTURES OF CUROI SON OF DARE FOLLOW NOW / THE REPEATED WARNING OF SUALTAIM; lines 14027-14156 | high | Successive Heroic Arrivals And Recognition By A Knowledgeable Speaker | record |
| The Ancient Irish Epic Tale Tain Bo Cualnge | THIS IS THE ROUTE OF THE TAIN / THE MARCH OF THE HOST / THE YOUTHFUL EXPLOITS OF CUCHULAIN / THE SLAYING OF ORLAM; lines 4468-4620 | medium | Hero Praised Through Catalogue Of Exploits Before Battle | record |
| The Ancient Irish Epic Tale Tain Bo Cualnge | The Ancient Irish Epic Tale Tain Bo Cualnge / THE ANCIENT IRISH EPIC TALE / TAIN BO CUALNGE / WITH TWO PAGES IN FACSIMILE OF THE MANUSCRIPTS; lines 87-104 | medium | Heroic Name Proclaimed Among Peoples | record |
| The Ancient Irish Epic Tale Tain Bo Cualnge | WORKS ON THE TAIN BO CUALNGE / THE PILLOW-TALK / THIS IS THE ROUTE OF THE TAIN / THE MARCH OF THE HOST; lines 2516-2635 | medium | War Camp Storytelling Of Heroic Feats | record |
Islamicate Folklore
How This Tradition Tells It
13 occurrences
How This Tradition Tells It
In Islamicate Folklore, this family appears through Storytelling Before A Ruler Wins Mercy (1), Storytelling Frame Before A Cruel Ruler (1), Dawn Suspense Reprieve (1). The strongest concentration is currently in The Arabian Nights Entertainments. This is a deterministic summary of 13 tagged motif occurrences, not a claim of historical transmission.
Show 5 more passages
| Text | Line Range | Confidence | Child Motif | Extraction |
|---|---|---|---|---|
| The Arabian Nights Entertainments | The Arabian Nights: Scheherazade volunteers and secures the dawn reprieve | high | Dawn Suspense Reprieve | record |
| The Arabian Nights Entertainments | The Arabian Nights: Scheherazade volunteers and secures the dawn reprieve | high | Storytelling As Survival | record |
| The Arabian Nights Entertainments | The Arabian Nights: Scheherazade volunteers and secures the dawn reprieve | high | Voluntary Bride Intercession | record |
| The Arabian Nights Entertainments | The Story of the Fisherman: sealed jar, murderous genius, and return to the vessel | high | Liberator Threatened By Captive | record |
| The Arabian Nights Entertainments | The Story of the Fisherman: sealed jar, murderous genius, and return to the vessel | high | Wit Overwhelms Supernatural Force | record |
Sufi
How This Tradition Tells It
9 occurrences
How This Tradition Tells It
In Sufi, this family appears through Efficacious Poetic Speech Alters Royal Action (1), Personified Vessels In Dialogue (1), Poetic Song Survives Death (1). The strongest concentration is currently in Poems from the Divan of Hafiz and The Persian Mystics: Jámí. This is a deterministic summary of 9 tagged motif occurrences, not a claim of historical transmission.
| Text | Line Range | Confidence | Child Motif | Extraction |
|---|---|---|---|---|
| Poems from the Divan of Hafiz | GERTRUDE LOWTHIAN BELL / LONDON / WILLIAM HEINEMANN / INTRODUCTION; lines 415-498 | medium | Poet Challenges Ruler Through Witty Reply | record |
| Poems from the Divan of Hafiz | GERTRUDE LOWTHIAN BELL / LONDON / WILLIAM HEINEMANN / INTRODUCTION; lines 594-680 | medium | Poems As Pearls Gathered After Death | record |
| Poems from the Divan of Hafiz | TRANSLATED BY / GERTRUDE LOWTHIAN BELL / LONDON / WILLIAM HEINEMANN; lines 66-125 | high | Poetic Song Survives Death | record |
| Poems from the Divan of Hafiz | XXXIV / XXXVI / XXXVII / XXXIX; lines 3892-3989 | high | Ruler Healed By Faithful Attendants And Honors Them Through Poetic Commemoration | record |
| The Persian Mystics: Jalálu'd-dín Rúmí | THE TRUE MOSQUE / A PRAYER / ALL RELIGIONS ARE ONE / APPENDIX: A NOTE ON PERSIAN POETRY; lines 2319-2416 | high | Efficacious Poetic Speech Alters Royal Action | record |
| The Persian Mystics: Jámí | A BEAUTIFUL WOMAN / SIXTH GARDEN / JOCULARITY / A WEAVER AND A LEARNED PROFESSOR; lines 2041-2066 | high | Comic Misunderstanding Of Learned Performance | record |
| The Persian Mystics: Jámí | PHANTOM RELATIONS / AN OLD HAG WHO DESIRED ONLY PLEASURE / PLAGIARISM / THE AFFLICTED POET; lines 2115-2151 | high | Unspoken Verse As Illness Relieved By Recitation | record |
| The Sufistic Quatrains of Omar Khayyam | LXIV. / LXVI. / LXVII. / LXVIII.; lines 1504-1526 | high | Personified Vessels In Dialogue | record |
Show 1 more passages
| Text | Line Range | Confidence | Child Motif | Extraction |
|---|---|---|---|---|
| The Sufistic Quatrains of Omar Khayyam | STANZA / STANZA / STANZA / STANZAS WHICH APPEAR IN THE SECOND EDITION ONLY; lines 5045-5111 | high | Nearly Extinguished Speech Revived Into Living Word | record |
Buddhist
How This Tradition Tells It
7 occurrences
How This Tradition Tells It
In Buddhist, this family appears through Animal Storyteller Frame (1), Demonic Storyteller Frame (1), Sacred Narrative Displayed On Relic Shrines (1). The strongest concentration is currently in Buddhist birth stories; or, Jataka tales, Volume 1 and More Jataka Tales. This is a deterministic summary of 7 tagged motif occurrences, not a claim of historical transmission.
| Text | Line Range | Confidence | Child Motif | Extraction |
|---|---|---|---|---|
| Buddhist birth stories; or, Jataka tales, Volume 1 | ON THE HISTORY OF THE BIRTH STORIES IN INDIA. / T. W. RHYS DAVIDS. / TABLE I. / INDIAN WORKS.; lines 2337-2496 | medium | Animal Storyteller Frame | record |
| Buddhist birth stories; or, Jataka tales, Volume 1 | ON THE HISTORY OF THE BIRTH STORIES IN INDIA. / T. W. RHYS DAVIDS. / TABLE I. / INDIAN WORKS.; lines 2337-2496 | medium | Demonic Storyteller Frame | record |
| Buddhist birth stories; or, Jataka tales, Volume 1 | ON THE HISTORY OF THE BIRTH STORIES IN INDIA. / T. W. RHYS DAVIDS. / TABLE I. / INDIAN WORKS.; lines 2337-2496 | medium | Stories Ascribed To A Sacred Teacher | record |
| Buddhist birth stories; or, Jataka tales, Volume 1 | PART I. / PART II. / SUPPLEMENTARY TABLES. / THE BIRTH STORIES.; lines 276-361 | medium | Animal Centered Moral Tales | record |
| Buddhist birth stories; or, Jataka tales, Volume 1 | THE BARLAAM AND JOSAPHAT LITERATURE. / SUMMARY. / PART II. / ON THE HISTORY OF THE BIRTH STORIES IN INDIA.; lines 1657-1752 | high | Sacred Narrative Displayed On Relic Shrines | record |
| Buddhist birth stories; or, Jataka tales, Volume 1 | THE BARLAAM AND JOSAPHAT LITERATURE. / SUMMARY. / PART II. / ON THE HISTORY OF THE BIRTH STORIES IN INDIA.; lines 2024-2110 | high | Framed Past Life Exemplum | record |
| More Jataka Tales | THE PENNY-WISE MONKEY / THE RED-BUD TREE / THE WOODPECKER AND THE LION / THE OTTERS AND THE WOLF; lines 722-771 | high | Third Party Arbiter Profits From A Quarrel | record |
Finnish/Karelian
How This Tradition Tells It
6 occurrences
How This Tradition Tells It
In Finnish/Karelian, this family appears through Divine Song Transforms Nature Into Provisions And Wealth (1), Incantatory Folk Poetry Linked With Pagan Religious Practice (1), Rescue Of Oral Tradition From Loss (1). The strongest concentration is currently in Kalevala: The Epic Poem of Finland. This is a deterministic summary of 6 tagged motif occurrences, not a claim of historical transmission.
| Text | Line Range | Confidence | Child Motif | Extraction |
|---|---|---|---|---|
| Kalevala: The Epic Poem of Finland | DR. J.D. BUCK, / AN ENCOURAGING AND UNSELFISH FRIEND, AND TO HIS AFFECTIONATE FAMILY, / THESE PAGES ARE GRATEFULLY INSCRIBED. / PREFACE; lines 771-863 | medium | Incantatory Folk Poetry Linked With Pagan Religious Practice | record |
| Kalevala: The Epic Poem of Finland | DR. J.D. BUCK, / AN ENCOURAGING AND UNSELFISH FRIEND, AND TO HIS AFFECTIONATE FAMILY, / THESE PAGES ARE GRATEFULLY INSCRIBED. / PREFACE; lines 771-863 | high | Rescue Of Oral Tradition From Loss | record |
| Kalevala: The Epic Poem of Finland | JOHN MARTIN CRAWFORD. / THE KALEVALA. / PROEM / BOOK II; lines 21489-21680 | high | Ill Timed Song As Danger Signal | record |
| Kalevala: The Epic Poem of Finland | PREFACE / JOHN MARTIN CRAWFORD. / THE KALEVALA. / PROEM; lines 11875-12035 | high | Divine Song Transforms Nature Into Provisions And Wealth | record |
| Kalevala: The Epic Poem of Finland | PREFACE / JOHN MARTIN CRAWFORD. / THE KALEVALA. / PROEM; lines 2212-2381 | high | Magical Song As Overpowering Force | record |
| Kalevala: The Epic Poem of Finland | THE KALEVALA. / PROEM / BOOK II / EPILOGUE; lines 25223-25327 | high | Oral Tradition Passed To Future Generations | record |
Islamic
How This Tradition Tells It
6 occurrences
How This Tradition Tells It
In Islamic, this family appears through Enchanting Power Of Words (1), Lost Ancient Tribes Remembered Through Tradition And Scripture (1), Public Display Contest Of Sacred And Poetic Texts (1). The strongest concentration is currently in The Koran (Al-Qur'an). This is a deterministic summary of 6 tagged motif occurrences, not a claim of historical transmission.
| Text | Line Range | Confidence | Child Motif | Extraction |
|---|---|---|---|---|
| The Koran (Al-Qur'an) | A TABLE OF THE CHAPTERS / THE KORAN. / PRELIMINARY DISCOURSE / SECTION I.; lines 1026-1112 | medium | Lost Ancient Tribes Remembered Through Tradition And Scripture | record |
| The Koran (Al-Qur'an) | PRELIMINARY DISCOURSE / SECTION I. / SECTION II. / SECTION III; lines 3269-3318 | high | Ritual Completion Of Scripture Through Divided Recitation | record |
| The Koran (Al-Qur'an) | PRELIMINARY DISCOURSE / SECTION I. / SECTION II. / SECTION III; lines 3269-3318 | high | Sacred Opening Formula | record |
| The Koran (Al-Qur'an) | PRELIMINARY DISCOURSE / SECTION I. / SECTION II. / SECTION III; lines 3321-3372 | medium | Public Display Contest Of Sacred And Poetic Texts | record |
| The Koran (Al-Qur'an) | PRELIMINARY DISCOURSE / SECTION I. / SECTION II. / SECTION III; lines 3375-3422 | high | Enchanting Power Of Words | record |
| The Koran (Al-Qur'an) | PRELIMINARY DISCOURSE / SECTION I. / SECTION II. / SECTION III; lines 3375-3422 | high | Rhyme As Persuasive Sacred Style | record |
Roman
How This Tradition Tells It
5 occurrences
How This Tradition Tells It
In Roman, this family appears through Contest Of Song Between Mortals And Goddesses (1), Music Summons A Shade Giving Grove (1), Personified Report As Supernatural Agent (1). The strongest concentration is currently in The Aeneid of Virgil and The Metamorphoses of Ovid, Books I-VII. This is a deterministic summary of 5 tagged motif occurrences, not a claim of historical transmission.
| Text | Line Range | Confidence | Child Motif | Extraction |
|---|---|---|---|---|
| The Aeneid of Virgil | BOOK EIGHTH / THE EMBASSAGE TO EVANDER / BOOK NINTH / THE SIEGE OF THE TROJAN CAMP; lines 5936-6013 | high | Poetic Immortality Of Heroic Pair | record |
| The Aeneid of Virgil | BOOK THIRD / THE STORY OF THE SEVEN YEARS' WANDERING / BOOK FOURTH / THE LOVE OF DIDO, AND HER END; lines 2222-2307 | high | Personified Report As Supernatural Agent | record |
| The Metamorphoses of Ovid, Books I-VII | EXPLANATION. / EXPLANATION. / BOOK THE FIFTH. / EXPLANATION.; lines 8101-8206 | high | Contest Of Song Between Mortals And Goddesses | record |
| The Metamorphoses of Ovid, Books I-VII | EXPLANATION. / EXPLANATION. / EXPLANATION. / EXPLANATION.; lines 10277-10351 | high | Speechless Captive Finds Alternate Communication | record |
| The Metamorphoses of Ovid, Books VIII-XV | EXPLANATION. / EXPLANATION. / BOOK THE TENTH. / EXPLANATION.; lines 4205-4260 | medium | Music Summons A Shade Giving Grove | record |
Celtic Welsh
How This Tradition Tells It
3 occurrences
How This Tradition Tells It
In Celtic Welsh, this family appears through Tale As Repayment For Food And Drink (1), Liberating Song Opens Bonds (1), Untranslatable Contest Or Repartee Based On Wordplay (1). The strongest concentration is currently in The Mabinogion. This is a deterministic summary of 3 tagged motif occurrences, not a claim of historical transmission.
| Text | Line Range | Confidence | Child Motif | Extraction |
|---|---|---|---|---|
| The Mabinogion | CONTENTS / INTRODUCTION / C. E. G. / THE LADY OF THE FOUNTAIN; lines 352-444 | medium | Tale As Repayment For Food And Drink | record |
| The Mabinogion | PWYLL PRINCE OF DYVED / THE DREAM OF MAXEN WLEDIG / HERE IS THE STORY OF LLUDD AND LLEVELYS / TALIESIN; lines 9223-9356 | high | Liberating Song Opens Bonds | record |
| The Mabinogion | THE DREAM OF MAXEN WLEDIG / HERE IS THE STORY OF LLUDD AND LLEVELYS / TALIESIN / FOOTNOTES; lines 9549-9572 | medium | Untranslatable Contest Or Repartee Based On Wordplay | record |
Hindu
How This Tradition Tells It
3 occurrences
How This Tradition Tells It
In Hindu, this family appears through Enduring Sacred Fame Guaranteed By Natural Permanence (1), Heroic Life Made Into Authoritative Epic Narration (1), Staged Grief As Coercive Strategy (1). The strongest concentration is currently in The Ramayan of Valmiki. This is a deterministic summary of 3 tagged motif occurrences, not a claim of historical transmission.
| Text | Line Range | Confidence | Child Motif | Extraction |
|---|---|---|---|---|
| The Ramayan of Valmiki | BOOK II. / Canto I. The Heir Apparent. / Canto VI. The City Decorated. / Canto IX. The Plot.; lines 10821-10989 | high | Staged Grief As Coercive Strategy | record |
| The Ramayan of Valmiki | CONTENTS / INVOCATION.(1) / BOOK I.(6) / OM.(8); lines 1157-1236 | medium | Enduring Sacred Fame Guaranteed By Natural Permanence | record |
| The Ramayan of Valmiki | CONTENTS / INVOCATION.(1) / BOOK I.(6) / OM.(8); lines 1157-1236 | medium | Heroic Life Made Into Authoritative Epic Narration | record |
Greek/Roman
How This Tradition Tells It
2 occurrences
How This Tradition Tells It
In Greek/Roman, this family appears through Divine Musician And Leader Of Song (1), Eloquence Represented As Golden Chains From The Mouth (1). The strongest concentration is currently in Myths and Legends of Ancient Greece and Rome. This is a deterministic summary of 2 tagged motif occurrences, not a claim of historical transmission.
| Text | Line Range | Confidence | Child Motif | Extraction |
|---|---|---|---|---|
| Myths and Legends of Ancient Greece and Rome | MARS. / NIKE (VICTORIA). / VICTORIA. / HERMES (MERCURY).; lines 3894-3936 | high | Eloquence Represented As Golden Chains From The Mouth | record |
| Myths and Legends of Ancient Greece and Rome | VENUS. / HELIOS (SOL). / EOS (AURORA). / PHOEBUS-APOLLO.; lines 2279-2363 | high | Divine Musician And Leader Of Song | record |
Persian
How This Tradition Tells It
2 occurrences
How This Tradition Tells It
In Persian, this family appears through Book Completed By Divine Favor (1), Verbal Defeat Turning Into Violence (1). The strongest concentration is currently in The Persian Literature, Volume 2, The Gulistan. This is a deterministic summary of 2 tagged motif occurrences, not a claim of historical transmission.
| Text | Line Range | Confidence | Child Motif | Extraction |
|---|---|---|---|---|
| The Persian Literature, Volume 2, The Gulistan | CXVII / CXVIII / CXXII / THE CONCLUSION OF THE BOOK; lines 4883-4921 | medium | Book Completed By Divine Favor | record |
| The Persian Literature, Volume 2, The Gulistan | XVIII. / CHAPTER VI / CHAPTER VII / XVIII; lines 3846-3931 | medium | Verbal Defeat Turning Into Violence | record |
Ainu
How This Tradition Tells It
1 occurrences
How This Tradition Tells It
In Ainu, this family appears through Domestic Lullaby Storytelling By Cradle And Fire (1). The strongest concentration is currently in Aino Folk-Tales. This is a deterministic summary of 1 tagged motif occurrences, not a claim of historical transmission.
| Text | Line Range | Confidence | Child Motif | Extraction |
|---|---|---|---|---|
| Aino Folk-Tales | LOCAL SECRETARIES. / HONORARY SECRETARIES. / INTRODUCTION. / AINO FOLK-LORE.; lines 351-433 | low | Domestic Lullaby Storytelling By Cradle And Fire | record |
Indigenous Australian
How This Tradition Tells It
1 occurrences
How This Tradition Tells It
In Indigenous Australian, this family appears through Storytelling At Fire And Tree Shade (1). The strongest concentration is currently in Australian Legendary Tales: folk-lore of the Noongahburrahs as told to the Piccaninnies. This is a deterministic summary of 1 tagged motif occurrences, not a claim of historical transmission.
| Text | Line Range | Confidence | Child Motif | Extraction |
|---|---|---|---|---|
| Australian Legendary Tales: folk-lore of the Noongahburrahs as told to the Piccaninnies | WITH INTRODUCTION BY ANDREW LANG, M.A. / CONTENTS / PREFACE / INTRODUCTION; lines 227-287 | medium | Storytelling At Fire And Tree Shade | record |
Japanese
How This Tradition Tells It
1 occurrences
How This Tradition Tells It
In Japanese, this family appears through Human Wins Favor Of Demons Through Performance (1). The strongest concentration is currently in Japanese Fairy Tales. This is a deterministic summary of 1 tagged motif occurrences, not a claim of historical transmission.
| Text | Line Range | Confidence | Child Motif | Extraction |
|---|---|---|---|---|
| Japanese Fairy Tales | THE STORY OF PRINCE YAMATO TAKE / MOMOTARO, OR THE STORY OF THE SON OF A PEACH / THE OGRE OF RASHOMON / HOW AN OLD MAN LOST HIS WEN; lines 7000-7120 | high | Human Wins Favor Of Demons Through Performance | record |
Norse
How This Tradition Tells It
1 occurrences
How This Tradition Tells It
In Norse, this family appears through Foundation Text Of A Cultural Past (1). The strongest concentration is currently in Myths of the Norsemen: From the Eddas and Sagas. This is a deterministic summary of 1 tagged motif occurrences, not a claim of historical transmission.
| Text | Line Range | Confidence | Child Motif | Extraction |
|---|---|---|---|---|
| Myths of the Norsemen: From the Eddas and Sagas | Myths of the Norsemen: From the Eddas and Sagas / CONTENTS / LIST OF ILLUSTRATIONS / INTRODUCTION; lines 296-325 | medium | Foundation Text Of A Cultural Past | record |
Shared Structure
The convergence is broad rather than concentrated in one child motif: traditions repeatedly tag passages into this family while emphasizing locally different scenes.
Local Emphasis
Buddhist leans toward Animal Storyteller Frame; Greek leans toward Divinely Affiliated Singer With Lyre; Persian leans toward Book Completed By Divine Favor; Sufi leans toward Efficacious Poetic Speech Alters Royal Action; Roman leans toward Contest Of Song Between Mortals And Goddesses; Islamicate Folklore leans toward Storytelling Before A Ruler Wins Mercy.
Reading Rule
Timeline
Approximate eras from the cultural timeline index.The Upanishads
Hindu - Vedic and early philosophical Sanskrit tradition - 3 tagged occurrences
Hesiod, the Homeric Hymns, and Homerica
Greek - Archaic Greek poetic and hymnic tradition - 33 tagged occurrences
The Iliad
Greek - Archaic Greek heroic epic tradition - 33 tagged occurrences
Dhammapada, a Collection of Verses
Buddhist - Early Buddhist verse collection - 7 tagged occurrences
The Song Celestial; Or, Bhagavad-Gita
Hindu - Sanskrit epic and devotional-philosophical tradition - 3 tagged occurrences
The Koran (Al-Qur'an)
Islamic - Early Islamic revelation corpus - 6 tagged occurrences
Gods and Fighting Men
Celtic Irish - Medieval Irish mythic and heroic material - 15 tagged occurrences
The Poetic Edda
Norse - Old Norse mythological and heroic poetic tradition - 1 tagged occurrences
The Mabinogion
Celtic Welsh - Medieval Welsh narrative and romance tradition - 3 tagged occurrences
Kalevala: The Epic Poem of Finland
Finnish/Karelian - Finnish/Karelian oral-poetry epic compilation - 6 tagged occurrences