Comparative mythology corpus

batch.motif.greek-plato-republic-jowett-gutenberg-l12131-l12273

batch.motif.greek-plato-republic-jowett-gutenberg-l12131-l12273

---
record_id: batch.motif.greek-plato-republic-jowett-gutenberg-l12131-l12273
source_text_path: texts/public-domain/greek/project-gutenberg/republic-jowett.md
passage_locator:
  label: PERSONS OF THE DIALOGUE. / BOOK I. / BOOK II. / BOOK III.; lines 12131-12273
  start: '12131'
  end: '12273'
  translation: The Republic
  notes: Generated from OpenAI Batch run motif-extraction-2026-04-28-high-priority;
    human review required.
canonical_text:
  quote: all mythology and poetry is a narration of events, either past, present,
    or to come
  summary: The passage argues that poets should not attribute impious or immoral acts
    to divine-born heroes or make gods the authors of evil, because such tales may
    harm the young. It then turns from the permissible subjects of poetry to poetic
    style, distinguishing narration, imitation, and their combination, with Homeric
    examples.
  language: English
  quote_policy: quoted
literal_observations:
- id: obs:1
  text: The speaker rejects tales that Achilles committed acts such as insubordination
    to a river-god, offering dedicated hair to the dead Patroclus, dragging Hector
    around Patroclus' tomb, and slaughtering captives at a pyre.
  category: speech
  evidence_refs:
  - ev:1
- id: obs:2
  text: Achilles is described as Cheiron's pupil, the son of a goddess and Peleus,
    and third in descent from Zeus.
  category: relationship
  evidence_refs:
  - ev:1
- id: obs:3
  text: The speaker rejects tales that Theseus, son of Poseidon, and Peirithous, son
    of Zeus, went out to perpetrate a rape.
  category: speech
  evidence_refs:
  - ev:2
- id: obs:4
  text: The speaker says poets should not affirm both that such impious acts were
    done and that the actors were sons of gods.
  category: speech
  evidence_refs:
  - ev:2
  - ev:3
- id: obs:5
  text: The speaker says citizens, especially the young, should not be persuaded that
    gods are authors of evil or that heroes are no better than men.
  category: speech
  evidence_refs:
  - ev:3
  - ev:4
- id: obs:6
  text: The passage says that subjects concerning gods, demigods, heroes, and the
    world below have already been laid down, while the treatment of men remains unresolved
    until justice is understood.
  category: sequence
  evidence_refs:
  - ev:5
- id: obs:7
  text: The discussion turns from the subjects of poetry to style, stating that mythology
    and poetry narrate events past, present, or future.
  category: speech
  evidence_refs:
  - ev:6
- id: obs:8
  text: The speaker distinguishes simple narration, imitation, and a union of the
    two.
  category: speech
  evidence_refs:
  - ev:6
- id: obs:9
  text: The Iliad example describes Chryses praying to Agamemnon to release his daughter,
    Agamemnon becoming angry, and Chryses invoking divine anger against the Achaeans.
  category: sequence
  evidence_refs:
  - ev:7
- id: obs:10
  text: The speaker defines imitation as the poet assimilating himself to another
    person by voice or gesture.
  category: speech
  evidence_refs:
  - ev:8
figures:
- id: fig:1
  name_or_label: Main speaker
  description: The primary speaker who proposes rules about poetry and explains narration
    and imitation.
  role_refs:
  - role:1
  - role:2
  evidence_refs:
  - ev:1
  - ev:2
  - ev:3
  - ev:6
  - ev:8
- id: fig:2
  name_or_label: Adeimantus
  description: The interlocutor who says he does not understand and receives the explanation
    about style.
  role_refs:
  - role:3
  evidence_refs:
  - ev:6
- id: fig:3
  name_or_label: Achilles
  description: A hero whose alleged impious acts are rejected by the speaker; described
    as Cheiron's pupil, son of a goddess and Peleus, and descended from Zeus.
  role_refs:
  - role:4
  - role:5
  evidence_refs:
  - ev:1
- id: fig:4
  name_or_label: Patroclus
  description: The dead companion associated with Achilles' hair offering, tomb, and
    funeral pyre.
  role_refs:
  - role:6
  evidence_refs:
  - ev:1
- id: fig:5
  name_or_label: Hector
  description: A figure said in the rejected tale to have been dragged around Patroclus'
    tomb by Achilles.
  role_refs:
  - role:7
  evidence_refs:
  - ev:1
- id: fig:6
  name_or_label: Cheiron
  description: Described as the wise pupil-master of Achilles.
  role_refs:
  - role:8
  evidence_refs:
  - ev:1
- id: fig:7
  name_or_label: Peleus
  description: Described as Achilles' father and as the gentlest of men.
  role_refs:
  - role:9
  evidence_refs:
  - ev:1
- id: fig:8
  name_or_label: Zeus
  description: Named as an ancestor of Achilles and as father of Peirithous; also
    associated with an ancestral altar on Ida.
  role_refs:
  - role:10
  evidence_refs:
  - ev:1
  - ev:2
  - ev:4
- id: fig:9
  name_or_label: Theseus
  description: Named as son of Poseidon in a rejected tale of rape.
  role_refs:
  - role:4
  - role:5
  evidence_refs:
  - ev:2
- id: fig:10
  name_or_label: Poseidon
  description: Named as father of Theseus.
  role_refs:
  - role:10
  evidence_refs:
  - ev:2
- id: fig:11
  name_or_label: Peirithous
  description: Named as son of Zeus in a rejected tale of rape.
  role_refs:
  - role:4
  - role:5
  evidence_refs:
  - ev:2
- id: fig:12
  name_or_label: Poets and story-tellers
  description: Figures accused of making misstatements and to be commanded not to
    teach certain claims.
  role_refs:
  - role:11
  evidence_refs:
  - ev:5
  - ev:6
- id: fig:13
  name_or_label: Youth
  description: The intended audience whose morals may be affected by tales of divine
    or heroic wrongdoing.
  role_refs:
  - role:12
  evidence_refs:
  - ev:3
  - ev:4
- id: fig:14
  name_or_label: Chryses
  description: An aged priest in the Iliad example who prays for his daughter's release
    and invokes divine anger against the Achaeans.
  role_refs:
  - role:13
  evidence_refs:
  - ev:7
  - ev:8
- id: fig:15
  name_or_label: Agamemnon
  description: The figure in the Iliad example who becomes angry with Chryses.
  role_refs:
  - role:14
  evidence_refs:
  - ev:7
- id: fig:16
  name_or_label: Homer
  description: The poet whose narration shifts into the person of Chryses in the example.
  role_refs:
  - role:15
  evidence_refs:
  - ev:7
  - ev:8
roles:
- id: role:1
  label: moral regulator of poetic tradition
  assigned_to:
  - fig:1
  basis: The speaker proposes forbidding or correcting tales that attribute evil to
    gods or wickedness to divine-born heroes.
  evidence_refs:
  - ev:2
  - ev:3
  - ev:5
- id: role:2
  label: theorist of narration and imitation
  assigned_to:
  - fig:1
  basis: The speaker defines mythology and poetry as narration and explains imitation
    through voice and gesture.
  evidence_refs:
  - ev:6
  - ev:8
- id: role:3
  label: interlocutor needing explanation
  assigned_to:
  - fig:2
  basis: Adeimantus says he does not understand what is meant, prompting explanation.
  evidence_refs:
  - ev:6
- id: role:4
  label: hero accused in rejected tale
  assigned_to:
  - fig:3
  - fig:9
  - fig:11
  basis: The speaker cites stories of these heroes committing impious or dreadful
    acts and rejects allowing them to be believed or repeated.
  evidence_refs:
  - ev:1
  - ev:2
- id: role:5
  label: divine-born hero
  assigned_to:
  - fig:3
  - fig:9
  - fig:11
  basis: Achilles is linked to a goddess and Zeus; Theseus is son of Poseidon; Peirithous
    is son of Zeus.
  evidence_refs:
  - ev:1
  - ev:2
- id: role:6
  label: dead companion receiving funeral acts
  assigned_to:
  - fig:4
  basis: Patroclus is described as dead and associated with Achilles' hair offering,
    tomb, and pyre.
  evidence_refs:
  - ev:1
- id: role:7
  label: victim of posthumous dishonor in rejected tale
  assigned_to:
  - fig:5
  basis: Hector is said to have been dragged around Patroclus' tomb in the tale the
    speaker rejects.
  evidence_refs:
  - ev:1
- id: role:8
  label: wise teacher
  assigned_to:
  - fig:6
  basis: Cheiron is called wise and described as Achilles' pupil-master.
  evidence_refs:
  - ev:1
- id: role:9
  label: gentle mortal father
  assigned_to:
  - fig:7
  basis: Peleus is called the gentlest of men and father of Achilles.
  evidence_refs:
  - ev:1
- id: role:10
  label: divine parent or ancestor
  assigned_to:
  - fig:8
  - fig:10
  basis: Zeus is named as ancestor or father, and Poseidon is named as father of Theseus.
  evidence_refs:
  - ev:1
  - ev:2
  - ev:4
- id: role:11
  label: makers of educational tales
  assigned_to:
  - fig:12
  basis: Poets and story-tellers are said to make misstatements and are to be forbidden
    or commanded in what they say.
  evidence_refs:
  - ev:5
  - ev:6
- id: role:12
  label: morally vulnerable audience
  assigned_to:
  - fig:13
  basis: The speaker says such tales may engender laxity of morals among the young.
  evidence_refs:
  - ev:4
- id: role:13
  label: priest and supplicant in Homeric example
  assigned_to:
  - fig:14
  basis: Chryses prays for his daughter and later invokes divine anger.
  evidence_refs:
  - ev:7
- id: role:14
  label: angry ruler in Homeric example
  assigned_to:
  - fig:15
  basis: Agamemnon is said to fly into a passion with Chryses.
  evidence_refs:
  - ev:7
- id: role:15
  label: poet using mixed narration
  assigned_to:
  - fig:16
  basis: Homer first speaks in his own person and then takes the person of Chryses.
  evidence_refs:
  - ev:7
  - ev:8
symbols:
- id: sym:1
  label: river-god
  literal_form: A river-god whose divinity Achilles is said in a rejected tale to
    challenge.
  associated_figures:
  - fig:3
  taxonomy_refs: []
  evidence_refs:
  - ev:1
- id: sym:2
  label: dedicated hair offering
  literal_form: Achilles' hair, previously dedicated to the river-god Spercheius and
    offered to dead Patroclus in the rejected tale.
  associated_figures:
  - fig:3
  - fig:4
  taxonomy_refs: []
  evidence_refs:
  - ev:1
- id: sym:3
  label: tomb of Patroclus
  literal_form: The tomb around which Hector is said in the rejected tale to have
    been dragged.
  associated_figures:
  - fig:3
  - fig:4
  - fig:5
  taxonomy_refs: []
  evidence_refs:
  - ev:1
- id: sym:4
  label: funeral pyre
  literal_form: The pyre at which captives are said in the rejected tale to have been
    slaughtered.
  associated_figures:
  - fig:3
  - fig:4
  taxonomy_refs: []
  evidence_refs:
  - ev:1
- id: sym:5
  label: ancestral altar of Zeus on Ida
  literal_form: An altar of Zeus described as aloft in air on the peak of Ida.
  associated_figures:
  - fig:8
  taxonomy_refs:
  - mountain
  evidence_refs:
  - ev:4
- id: sym:6
  label: voice and gesture
  literal_form: The means by which a poet assimilates himself to another person in
    imitation.
  associated_figures:
  - fig:16
  taxonomy_refs: []
  evidence_refs:
  - ev:8
scenes:
- id: scene:1
  label: Rejection of Achilles' alleged impiety
  summary: The speaker says citizens should not believe allegations that Achilles
    committed impious or cruel acts against river-gods, Patroclus, Hector, or captives,
    given his education and divine lineage.
  figure_refs:
  - fig:1
  - fig:3
  - fig:4
  - fig:5
  - fig:6
  - fig:7
  - fig:8
  symbol_refs:
  - sym:1
  - sym:2
  - sym:3
  - sym:4
  evidence_refs:
  - ev:1
- id: scene:2
  label: Regulation of tales about divine-born heroes
  summary: The speaker rejects tales of Theseus and Peirithous committing rape and
    says poets must not both attribute such acts to heroes and call them sons of gods.
  figure_refs:
  - fig:1
  - fig:8
  - fig:9
  - fig:10
  - fig:11
  - fig:12
  - fig:13
  symbol_refs:
  - sym:5
  evidence_refs:
  - ev:2
  - ev:3
  - ev:4
- id: scene:3
  label: Justice and the treatment of human subjects
  summary: The speakers note that the treatment of men in poetry cannot be settled
    until justice and its advantage to the possessor have been discovered.
  figure_refs:
  - fig:1
  - fig:12
  symbol_refs: []
  evidence_refs:
  - ev:5
- id: scene:4
  label: Classification of poetic style
  summary: The discussion moves from subject matter to style, defining mythology and
    poetry as narration and distinguishing simple narration, imitation, and their
    union.
  figure_refs:
  - fig:1
  - fig:2
  symbol_refs: []
  evidence_refs:
  - ev:6
- id: scene:5
  label: Homeric example of imitation
  summary: The speaker uses the opening of the Iliad to show how Homer first narrates
    in his own person and then assumes the person of Chryses, defining this assimilation
    by voice or gesture as imitation.
  figure_refs:
  - fig:1
  - fig:14
  - fig:15
  - fig:16
  symbol_refs:
  - sym:6
  evidence_refs:
  - ev:7
  - ev:8
candidate_motifs:
- id: motif:1
  label: Divine-born hero constrained by moral theology
  taxonomy_refs:
  - divine_parent_child
  basis: The passage discusses heroes identified as children or descendants of gods
    and argues that poets must not portray them as committing impious and dreadful
    acts while also calling them divine offspring.
  evidence_refs:
  - ev:1
  - ev:2
  - ev:3
  confidence: medium
  cautions: This is a philosophical prescription about mythic representation, not
    a narrative episode endorsing the heroic deeds.
- id: motif:2
  label: Denial that gods are authors of evil
  taxonomy_refs:
  - wisdom
  basis: The speaker explicitly says citizens should not be persuaded that gods are
    authors of evil and presents this as a rule for poetic education.
  evidence_refs:
  - ev:3
  confidence: medium
  cautions: The taxonomy reference is approximate; the passage is ethical and theological
    argument rather than a mythic action motif.
- id: motif:3
  label: Funerary violence and offering at a hero's pyre
  taxonomy_refs:
  - sacrifice
  basis: The rejected Achilles tale includes an offering of hair to dead Patroclus
    and slaughter of captives at the pyre.
  evidence_refs:
  - ev:1
  confidence: low
  cautions: The speaker explicitly refuses to believe Achilles was guilty of these
    acts; the motif is present only as a cited tale to be censored.
- id: motif:4
  label: Poet assuming another person through imitation
  taxonomy_refs: []
  basis: The passage identifies imitation as the poet's assimilation to another person
    by voice or gesture and illustrates it with Homer taking the person of Chryses.
  evidence_refs:
  - ev:7
  - ev:8
  confidence: high
  cautions: This is a literary pattern rather than one of the supplied mythic motif
    families.
comparison_claims:
- id: claim:1
  claim: The passage treats Homeric epic as an example of a mixed narrative mode in
    which authorial narration alternates with assumed speech in another person's character.
  claim_level: same_function
  target: Homeric Iliad and Odyssey narrative practice
  evidence_refs:
  - ev:7
  - ev:8
  counter_evidence_refs: []
  confidence: high
  limitations: The comparison is internal to the passage's literary analysis and does
    not establish historical development or broader cross-cultural recurrence.
- id: claim:2
  claim: The Achilles and Theseus-Peirithous examples are grouped as tales of divine-related
    heroes whose immoral actions would be pedagogically harmful if accepted.
  claim_level: same_function
  target: Greek heroic tales about divine-born figures committing impious or immoral
    acts
  evidence_refs:
  - ev:1
  - ev:2
  - ev:3
  - ev:4
  counter_evidence_refs: []
  confidence: medium
  limitations: The passage groups these examples for moral censorship; it does not
    narrate the full myths or claim a shared origin.
evidence:
- id: ev:1
  type: summary
  locator: 12131-12147
  quote_or_summary: The speaker rejects allegations that Achilles challenged a river-god,
    offered dedicated hair to dead Patroclus, dragged Hector around Patroclus' tomb,
    and slaughtered captives at the pyre; Achilles is described as Cheiron's pupil,
    son of a goddess and Peleus, and descended from Zeus.
  source_text_path: texts/public-domain/greek/project-gutenberg/republic-jowett.md
  rights_note: Public domain translation; summarized.
- id: ev:2
  type: summary
  locator: 12151-12159
  quote_or_summary: The speaker says tales of Theseus son of Poseidon or Peirithous
    son of Zeus committing rape should not be believed or repeated, and poets must
    say either the acts were not done or the actors were not sons of gods.
  source_text_path: texts/public-domain/greek/project-gutenberg/republic-jowett.md
  rights_note: Public domain translation; summarized.
- id: ev:3
  type: quote
  locator: 12159-12164
  quote_or_summary: '"We will not have them trying to persuade our youth that the
    gods are the authors of evil, and that heroes are no better than men"'
  source_text_path: texts/public-domain/greek/project-gutenberg/republic-jowett.md
  rights_note: Public domain translation; short quotation.
- id: ev:4
  type: summary
  locator: 12167-12179
  quote_or_summary: The speaker says such tales may lead hearers to excuse their own
    vices; verses mention kindred of the gods, relatives of Zeus, Zeus' altar on Ida,
    and divine blood in their veins; the speaker says to end such tales lest they
    produce lax morals among the young.
  source_text_path: texts/public-domain/greek/project-gutenberg/republic-jowett.md
  rights_note: Public domain translation; summarized.
- id: ev:5
  type: summary
  locator: 12183-12214
  quote_or_summary: The speakers say the treatment of gods, demigods, heroes, and
    the world below has been laid down; discussion of men remains, including claims
    about wicked men being happy and justice or injustice, but this cannot be settled
    until justice is discovered.
  source_text_path: texts/public-domain/greek/project-gutenberg/republic-jowett.md
  rights_note: Public domain translation; summarized.
- id: ev:6
  type: quote
  locator: 12216-12239
  quote_or_summary: The discussion turns to style; the speaker says, "all mythology
    and poetry is a narration of events, either past, present, or to come," and distinguishes
    simple narration, imitation, and their union.
  source_text_path: texts/public-domain/greek/project-gutenberg/republic-jowett.md
  rights_note: Public domain translation; short quotation with summary.
- id: ev:7
  type: summary
  locator: 12242-12262
  quote_or_summary: Using the first lines of the Iliad, the speaker recounts that
    Chryses prayed to Agamemnon to release his daughter, Agamemnon became angry, and
    Chryses invoked divine anger against the Achaeans; Homer first speaks in his own
    person and then takes the person of Chryses.
  source_text_path: texts/public-domain/greek/project-gutenberg/republic-jowett.md
  rights_note: Public domain translation; summarized.
- id: ev:8
  type: summary
  locator: 12264-12273
  quote_or_summary: The speaker says a poet who speaks in another's person assimilates
    his style to that person; assimilation by voice or gesture is imitation of the
    assumed character.
  source_text_path: texts/public-domain/greek/project-gutenberg/republic-jowett.md
  rights_note: Public domain translation; summarized.
confidence:
  extraction: high
  motif_candidates: medium
  comparison_claims: medium
  notes: The passage is primarily philosophical and literary-theoretical, so mythic
    motifs appear mostly as cited examples to be rejected or regulated rather than
    as narrated events.
reviewer_status:
  status: needs_review
  reviewer: ''
  reviewed_at: ''
  notes: Machine-generated draft from OpenAI Batch; not human-reviewed.
extracted_by: openai_batch:gpt-5.5
extracted_at: '2026-04-28'
notes: |-
  Only the provided passage and metadata were used. Rejected tales are treated as cited mythic content, not as endorsed narrative facts.
  batch_run_id=motif-extraction-2026-04-28-high-priority
  custom_id=motif_extract:greek-plato-republic-jowett-gutenberg__l12131-l12273
  passage_sha256=e3406c53a49472578040f7e8211beffa576c113a7130fa7f35ffd9d1197a5ce7