Comparative mythology corpus

Mother Goddess

80 appearances across 10 tradition groups.

Evidence

Each row links back to the complete public-domain source text and the structured extraction record.

TraditionSourcePassageConfidenceEvidenceRecord
Daoist The Tao Teh King, or the Tao and its Characteristics Tao Teh King, Ch. 1.1-4 low The Tao that can be trodden is not the enduring and unchanging Tao... having no name, it is the Originator of heaven and earth; having a name, it is the Mother of all things... Together we call them the Mystery. record
Roman The Aeneid of Virgil BOOK EIGHTH / THE EMBASSAGE TO EVANDER / BOOK NINTH / THE SIEGE OF THE TROJAN CAMP; lines 5620-5714 high The Mother of the gods recalls that her beloved pine forest and grove on Phrygian Ida were given to Aeneas for his fleet, and she asks Jove that their mountain birth protect them from voyaging and storm. record
Roman The Aeneid of Virgil BOOK EIGHTH / THE EMBASSAGE TO EVANDER / BOOK NINTH / THE SIEGE OF THE TROJAN CAMP; lines 5716-5801 high The Mother wards brands from her holy ships; a strange light and voice announce: “Disquiet not yourselves ... to guard ships of mine ... go, goddesses of the sea; the Mother bids it.” record
Celtic Irish Gods and Fighting Men GODS AND FIGHTING MEN. / PART ONE: THE GODS. / BOOK ONE: THE COMING OF THE TUATHA DE DANAAN. / CHAPTER I. THE FIGHT WITH THE FIRBOLGS; lines 648-746 high Badb, Macha, the Morrigu, Eire, Fodla, Banba, Eadon, Brigit, and Dana are described with battle, naming, poetry, healing, smith-work, dual appearance, fiery-arrow name, and mother-of-gods associations. record
Comparative The Golden Bough: A Study in Comparative Religion (Vol. 1 of 2) CHAPTER II. THE PERILS OF THE SOUL. / HEINE. / CHAPTER III. KILLING THE GOD. / FOOTNOTES; lines 12925-13120 medium States that the elephant represented the Earth Goddess conceived in elephant form; in Goomsur she was represented in peacock form, and a victim's post bore a peacock effigy. record
Comparative The Golden Bough: A Study in Comparative Religion (Vol. 1 of 2) PREFACE. / J. G. FRAZER. / CHAPTER I. THE KING OF THE WOOD. / MACAULAY.; lines 2198-2268 medium The Oraons have a spring festival while sál trees are blossoming, because they think the marriage of earth is then celebrated and sál flowers are needed. record
Comparative The Golden Bough: A Study in Comparative Religion (Vol. 1 of 2) PREFACE. / J. G. FRAZER. / CHAPTER I. THE KING OF THE WOOD. / MACAULAY.; lines 355-440 medium Votive offerings at Nemi indicate that Diana was especially worshipped by women seeking children or easy delivery. record
Comparative The Golden Bough: A Study in Comparative Religion (Vol. 1 of 2) MACAULAY. / CHAPTER II. THE PERILS OF THE SOUL. / HEINE. / CHAPTER III. KILLING THE GOD.; lines 6725-6799 medium Wheat and barley are attributed to Isis; stalks are carried in procession at her festivals; after first cutting at harvest, Egyptian reapers lay down the stalks, beat their breasts, lament, and call upon Isis. record
Comparative The Golden Bough: A Study in Comparative Religion (Vol. 1 of 2) MACAULAY. / CHAPTER II. THE PERILS OF THE SOUL. / HEINE. / CHAPTER III. KILLING THE GOD.; lines 7183-7267 high Frazer identifies the Demeter-Proserpine myth with Aphrodite-Adonis, Cybele-Attis, and Isis-Osiris, and says Demeter mourns Proserpine, who personifies vegetation, especially corn; Demeter and Proserpine are described as a mythical reduplication of one natural phenomenon. record
Comparative The Golden Bough: A Study in Comparative Religion (Vol. 1 of 2) MACAULAY. / CHAPTER II. THE PERILS OF THE SOUL. / HEINE. / CHAPTER III. KILLING THE GOD.; lines 7183-7267 medium Frazer reports Mannhardt's argument that Demeter derives from a Cretan word for barley and means Barley-mother or Corn-mother; Crete is described as an ancient seat of Demeter's worship. record
Comparative The Golden Bough: A Study in Comparative Religion (Vol. 1 of 2) MACAULAY. / CHAPTER II. THE PERILS OF THE SOUL. / HEINE. / CHAPTER III. KILLING THE GOD.; lines 7269-7349 high The Corn-mother is said to be present in the last handful of corn left standing; cutting it catches, drives away, or kills her, and the last sheaf may be carried home and honored as divine. record
Comparative The Golden Bough: A Study in Comparative Religion (Vol. 1 of 2) MACAULAY. / CHAPTER II. THE PERILS OF THE SOUL. / HEINE. / CHAPTER III. KILLING THE GOD.; lines 7434-7491 medium Russia and Bulgaria: the Russian last sheaf may be shaped and dressed as a woman and carried with dance and song. Bulgarians make a Corn-queen or Corn-mother doll from the last sheaf, carry it round the village, then throw it into a river for rain and dew or burn it and scatter the ashes on fields. record
Comparative The Golden Bough: A Study in Comparative Religion (Vol. 1 of 2) MACAULAY. / CHAPTER II. THE PERILS OF THE SOUL. / HEINE. / CHAPTER III. KILLING THE GOD.; lines 7683-7765 high Frazer says the worshipped object was probably the dressed maize bunch; another source describes divine plant mothers, including Zara-mama, whose figures were made of plant material, dressed in women's clothes, worshipped, and believed to give birth to much maize. record
Comparative The Golden Bough: A Study in Comparative Religion (Vol. 1 of 2) MACAULAY. / CHAPTER II. THE PERILS OF THE SOUL. / HEINE. / CHAPTER III. KILLING THE GOD.; lines 7815-7896 high Frazer compares Greek Demeter and Proserpine with the German Corn-mother and the Balquhidder harvest Maiden, suggesting that the Greek figures grew from harvest beliefs and were once represented by sheaf dolls. record
Comparative The Golden Bough: A Study in Comparative Religion (Vol. 1 of 2) MACAULAY. / CHAPTER II. THE PERILS OF THE SOUL. / HEINE. / CHAPTER III. KILLING THE GOD.; lines 8461-8513 medium Khond or Kandh sacrifices are described as offered to the Earth Goddess Tari Pennu or Bera Pennu to ensure crops and immunity from disease and accidents; turmeric cultivation is linked to bloodshed for deep red colour. record
Comparative The Golden Bough: A Study in Comparative Religion (Vol. 2 of 2) The Golden Bough: A Study in Comparative Religion (Vol. 2 of 2) / CONTENTS; lines 1508-1544 low Cows are said to be reverenced and never killed; they are regarded as sacred to or embodiments of Isis, who is represented with cow's horns, though Frazer says this identification may be syncretic. record
Greek Hesiod, the Homeric Hymns, and Homerica INTRODUCTION / BIBLIOGRAPHY / HESIOD / HESIODS WORKS AND DAYS; lines 1994-2082 medium The addressee is instructed to wear protective winter clothing, avoid storm clouds and rain, manage winter rations, and continue until equal days and nights when Earth bears fruit again. record
Greek Hesiod, the Homeric Hymns, and Homerica THE PRECEPTS OF CHIRON / THE GREAT WORKS / THE IDAEAN DACTYLS / THE THEOGONY; lines 2556-2655 high Earth bears Heaven, Hills, and Pontus; afterward with Heaven she bears Oceanus, Coeus, Crius, Hyperion, Iapetus, Theia, Rhea, Themis, Mnemosyne, Phoebe, Tethys, and Cronos, who hates his father. record
Greek Hesiod, the Homeric Hymns, and Homerica THE PRECEPTS OF CHIRON / THE GREAT WORKS / THE IDAEAN DACTYLS / THE THEOGONY; lines 3293-3404 medium Demeter joins with Iasion in a thrice-ploughed fallow in Crete and bears Plutus, who makes wealthy those who find him or into whose hands he comes. record
Greek Hesiod, the Homeric Hymns, and Homerica THE GREAT WORKS / THE IDAEAN DACTYLS / THE THEOGONY / THE CATALOGUES OF WOMEN AND EOIAE1701; lines 3641-3768 medium The Sons of Boreas pursue the Harpies through many distant lands and peoples; Earth bears peoples connected with Epaphus and Zeus; the route includes Eridanus, Fawn mountain, Etna, Ortygia, Odysseus' people, sea, and air. record
Greek Hesiod, the Homeric Hymns, and Homerica DOUBTFUL FRAGMENTS / THE HOMERIC HYMNS / I. TO DIONYSUS 2501 / II. TO DEMETER; lines 5177-5263 high While Persephone still sees earth, heaven, sea, and sun she hopes to see her mother; her voice rings through mountains and sea, and her mother hears. record
Greek Hesiod, the Homeric Hymns, and Homerica DOUBTFUL FRAGMENTS / THE HOMERIC HYMNS / I. TO DIONYSUS 2501 / II. TO DEMETER; lines 5349-5443 high Demeter sits on a stool with a veil before her face, silent and grieving, taking no food or drink because she longs for her daughter, until Iambe's quips and jests make her smile and laugh. record
Greek Hesiod, the Homeric Hymns, and Homerica DOUBTFUL FRAGMENTS / THE HOMERIC HYMNS / I. TO DIONYSUS 2501 / II. TO DEMETER; lines 5445-5542 high Demeter sits apart, yearning for her daughter, and causes a cruel year in which seed does not sprout; famine threatens mankind and divine gifts and sacrifices; Zeus sends Iris to Eleusis. record
Greek Hesiod, the Homeric Hymns, and Homerica DOUBTFUL FRAGMENTS / THE HOMERIC HYMNS / I. TO DIONYSUS 2501 / II. TO DEMETER; lines 5544-5635 high Zeus sends Rhea to Demeter with promises of honors and agreement that Persephone will spend a third of the year below and two thirds above; Rhea urges Demeter to restore the fruit that gives life. Rharus is described as barren because Demeter hid the grain. record
Greek Hesiod, the Homeric Hymns, and Homerica DOUBTFUL FRAGMENTS / THE HOMERIC HYMNS / I. TO DIONYSUS 2501 / II. TO DEMETER; lines 5637-5648 medium "queen of the land of sweet Eleusis and sea-girt Paros and rocky Antron, lady, giver of good gifts, bringer of seasons, queen Deo" and "your daughter all beauteous Persephone" record
Greek Hesiod, the Homeric Hymns, and Homerica THE HOMERIC HYMNS / I. TO DIONYSUS 2501 / II. TO DEMETER / III. TO DELIAN APOLLO; lines 5651-5739 high Leto is praised for bearing Apollo and Artemis; Artemis is linked with Ortygia, Apollo with rocky Delos near Cynthian hill, a palm-tree, and the streams of Inopus. record
Greek Hesiod, the Homeric Hymns, and Homerica I. TO DIONYSUS 2501 / II. TO DEMETER / III. TO DELIAN APOLLO / TO PYTHIAN APOLLO; lines 5907-6001 medium Hera prays to Earth, Heaven, and the Titans while striking the ground; Earth moves; Hera later bears Typhaon and gives him to the dragoness; Apollo shoots the dragoness, who dies in blood. record
Greek Hesiod, the Homeric Hymns, and Homerica XI. TO ATHENA / XII. TO HERA / XIII. TO DEMETER / XIV. TO THE MOTHER OF THE GODS; lines 7106-7130 high The speaker sings of rich-haired Demeter and her daughter Persephone, then asks the goddess to keep the city safe and govern the song. record
Greek Hesiod, the Homeric Hymns, and Homerica XXVII. TO ARTEMIS / XXVIII. TO ATHENA / XXIX. TO HESTIA / XXX. TO EARTH THE MOTHER OF ALL; lines 7368-7387 high Earth is invoked as “mother of all” and said to feed all creatures on land, in the seas, and in the air. record
Greek Hesiod, the Homeric Hymns, and Homerica XXIX. TO HESTIA / XXX. TO EARTH THE MOTHER OF ALL / XXXI. TO HELIOS / XXXII. TO SELENE; lines 7413-7433 medium The Son of Cronos was joined with Selene in love; she conceived and bore Pandia, described as exceedingly lovely among the deathless gods. record
Greek Hesiod, the Homeric Hymns, and Homerica XXXI. TO HELIOS / XXXII. TO SELENE / XXXIII. TO THE DIOSCURI / HOMERS EPIGRAMS2601; lines 7456-7569 medium Queen Earth is addressed as a giver of honey-hearted wealth who is kind to some and intractable or rough to those she is angry with. record
Greek Hesiod, the Homeric Hymns, and Homerica ENDNOTES / PREPARERS NOTE / PREFACE / INTRODUCTION; lines 914-1008 high The Hymn to Demeter describes the seizure of Persephone by Hades, Demeter's grief, her stay at Eleusis, and her vengeance on gods and men by causing famine. record
Greek The Iliad THE SEVENTH BATTLE, FOR THE BODY OF PATROCLUS.THE ACTS OF MENELAUS. / BOOK XVIII. / ARGUMENT. / THE GRIEF OF ACHILLES, AND NEW ARMOUR MADE HIM BY VULCAN.; lines 17412-17542 high In the deep sea with Nereus and the watery train, Thetis hears Achilles's cries and the Nereids weep with her. record
Greek The Iliad The Iliad / CONCLUDING NOTE. / INTRODUCTION.; lines 382-487 low Homer drives Thestorides from the island, succeeds as a teacher, and establishes a poetry school in Chios; a site called the School of Homer is described as an open temple of Cybele on rock, with a seated goddess image, lion-carved chair, oval area, and mountain-hewn form. record
Japanese Japanese Fairy Tales THE TONGUE-CUT SPARROW / THE STORY OF URASHIMA TARO, THE FISHER LAD / THE FARMER AND THE BADGER / THE ADVENTURES OF KINTARO, THE GOLDEN BOY; lines 1946-2051 medium The couple decide to make a pilgrimage to Hase-no-Kwannon, believing Kwannon answers mortal prayers in the form most needed; their greatest need is a child. record
Finnish/Karelian Kalevala: The Epic Poem of Finland PREFACE / JOHN MARTIN CRAWFORD. / THE KALEVALA. / PROEM; lines 1130-1317 medium In primeval times a beauteous Daughter of the Ether lives for ages alone in heaven and in the spaces above sea-foam, grows weary and sad, and descends to the ocean, with waves as coach and pillow. record
Finnish/Karelian Kalevala: The Epic Poem of Finland PREFACE / JOHN MARTIN CRAWFORD. / THE KALEVALA. / PROEM; lines 1319-1499 medium The water-mother raises her shoulders and knees above the ocean; the duck sees them as hillocks, settles on the knee, and finds a safe nesting place. record
Finnish/Karelian Kalevala: The Epic Poem of Finland JOHN MARTIN CRAWFORD. / THE KALEVALA. / PROEM / BOOK II; lines 17813-17992 medium The hostess asks the Creator and Ukko to guard, shield, shelter, and protect the herds from danger, want, wandering, and evil, so they may prosper against Lempo's will. record
Finnish/Karelian Kalevala: The Epic Poem of Finland PREFACE / JOHN MARTIN CRAWFORD. / THE KALEVALA. / PROEM; lines 1832-2015 high Wainamoinen brings seven barley grains from animal-skin pouches, sows them in ash-enriched soil, invokes an ancient mother of fields and forests, and asks Ukko for clouds and rain. record
Finnish/Karelian Kalevala: The Epic Poem of Finland JOHN MARTIN CRAWFORD. / THE KALEVALA. / PROEM / BOOK II; lines 19288-19476 low The mother tells Kullervo that maternal love cannot be smothered and that she would weep bitterly for three years, making tears affect fields, rivers, snows, and hillocks. record
Finnish/Karelian Kalevala: The Epic Poem of Finland JOHN MARTIN CRAWFORD. / THE KALEVALA. / PROEM / BOOK II; lines 23032-23209 medium Mielikki takes the wool and hair from the water, sews them together, binds the magic bundle in a birch-bark basket to a pine top with gold chains, and rocks it to life as sacred Otso. record
Finnish/Karelian Kalevala: The Epic Poem of Finland JOHN MARTIN CRAWFORD. / THE KALEVALA. / PROEM / BOOK II; lines 23564-23746 medium Ilmatar meets the travelers; after Wainamoinen identifies himself and Ilmarinen, she calls herself the oldest woman, first of Ether’s daughters, and first of ancient mothers. record
Finnish/Karelian Kalevala: The Epic Poem of Finland BOOK II / EPILOGUE / THE END / GLOSSARY; lines 25330-25477 medium "Maan-emo (man-emo). The mother of the Earth." record
Finnish/Karelian Kalevala: The Epic Poem of Finland DR. J.D. BUCK, / AN ENCOURAGING AND UNSELFISH FRIEND, AND TO HIS AFFECTIONATE FAMILY, / THESE PAGES ARE GRATEFULLY INSCRIBED. / PREFACE; lines 433-517 medium The earth is described as a beneficent mother, named Maa-em and Maan-emo, able to help sufferers after invocation; some mythologists make her spouse Ukko, giver of sunshine and rain, and compare other divine pairings. record
Finnish/Karelian Kalevala: The Epic Poem of Finland PREFACE / JOHN MARTIN CRAWFORD. / THE KALEVALA. / PROEM; lines 4459-4654 medium Ukko is called first creator and maker of the heavens, and he cuts apart air and water before iron is born. record
Finnish/Karelian Kalevala: The Epic Poem of Finland PREFACE / JOHN MARTIN CRAWFORD. / THE KALEVALA. / PROEM; lines 9139-9326 medium The ancient water-mother is called from ocean, seas, lakes, and rivers to bring protection, comfort, and assistance so the guiltless speaker does not suffer or perish prematurely. record
Roman The Metamorphoses of Ovid, Books I-VII EXPLANATION. / EXPLANATION. / EXPLANATION. / EXPLANATION.; lines 1042-1088 medium The Giants' bodies lie crushed beneath their own structure, and Earth is drenched with the abundant blood of her sons. record
Roman The Metamorphoses of Ovid, Books I-VII EXPLANATION. / EXPLANATION. / EXPLANATION. / BOOK THE SECOND.; lines 2999-3129 high Eryx is associated with a temple of Venus; Cynthus with the births of Apollo and Diana; Dindyma with Cybele, mother of the Gods; other mountains are geographically identified. record
Roman The Metamorphoses of Ovid, Books I-VII EXPLANATION. / EXPLANATION. / EXPLANATION. / BOOK THE SECOND.; lines 3131-3171 medium Footnote 53 says the earth was similarly called by the Greeks 'mother of all things' and by Virgil 'omniparens.' record
Roman The Metamorphoses of Ovid, Books I-VII BOOK THE FIFTH. / EXPLANATION. / EXPLANATION. / EXPLANATION.; lines 8327-8418 high Proserpina gathers violets or white lilies with youthful eagerness; Pluto sees, loves, and seizes her; she calls to her mother and companions as flowers fall from her loosened robe. record
Roman The Metamorphoses of Ovid, Books I-VII BOOK THE FIFTH. / EXPLANATION. / EXPLANATION. / EXPLANATION.; lines 8420-8517 medium Henna/Enna is described as the navel of Sicily and a major cult-place of Ceres; Proserpine is said by many authors to have been carried away by Pluto nearby, with other locations also reported; Cicero describes the sacred landscape, cavern, chariot abduction, descent into earth, lake, and yearly festival. record
Roman The Metamorphoses of Ovid, Books I-VII EXPLANATION. / EXPLANATION. / EXPLANATION. / EXPLANATION.; lines 8531-8624 medium Ceres is described as reigning in Sicily, teaching cultivation and sowing, establishing civil and property laws, and later being deemed Goddess of Earth and Corn; her residence is given as Enna/Henna. record
Roman The Metamorphoses of Ovid, Books I-VII EXPLANATION. / EXPLANATION. / EXPLANATION. / EXPLANATION.; lines 8626-8716 high The explanatory heading summarizes Ceres’s search, Arethusa’s information, Jupiter’s condition for return, Proserpine’s pomegranate seeds, Ascalaphus’s owl transformation, the Sirens’ wings, and the six-month division between earth and the Infernal Regions. record
Roman The Metamorphoses of Ovid, Books I-VII EXPLANATION. / EXPLANATION. / EXPLANATION. / EXPLANATION.; lines 8626-8716 high Ceres recognizes the girdle, mourns, accuses lands of ingratitude, and devastates Trinacria’s agriculture: ploughs, husbandmen, oxen, soil, seed, and crops are harmed. record
Roman The Metamorphoses of Ovid, Books VIII-XV EXPLANATION. / EXPLANATION. / EXPLANATION. / EXPLANATION.; lines 11409-11506 high The Mother of the Gods recalls that the pines were cut on Ida, arrives with cymbal, pipe, and lions, declares she will save the ships, and thunder, showers, hail, winds, and waves follow. record
Roman The Metamorphoses of Ovid, Books VIII-XV BOOK THE NINTH. / EXPLANATION. / EXPLANATION. / EXPLANATION.; lines 3102-3186 low Near a lake and myrtle groves, Dryope comes unsuspecting, intending garlands for the Nymphs, carrying and nursing her infant son; a watery lotus blooms nearby. record
Roman The Metamorphoses of Ovid, Books VIII-XV EXPLANATION. / EXPLANATION. / EXPLANATION. / EXPLANATION.; lines 5476-5534 low Cybele, Goddess of the Earth, was usually represented with a turreted crown and drawn in a chariot by lions. record
Greek/Roman Myths and Legends of Ancient Greece and Rome THIRD DYNASTY--OLYMPIAN DIVINITIES. / JUPITER. / HERA (JUNO). / JUNO.; lines 1413-1428 medium Juno is described as revered and beloved as the type of a matron and housewife. record
Greek/Roman Myths and Legends of Ancient Greece and Rome PALLAS-ATHENE (MINERVA). / MINERVA. / THEMIS. / VESTA.; lines 1634-1698 high Demeter, from Ge-meter, is identified as earth-mother, daughter of Cronus and Rhea, and goddess of vegetation, agriculture, field-fruits, plenty, and productiveness. record
Greek/Roman Myths and Legends of Ancient Greece and Rome PALLAS-ATHENE (MINERVA). / MINERVA. / THEMIS. / VESTA.; lines 1700-1774 high Demeter, wife of Zeus, is mother of Persephone and is deeply attached to her. record
Greek/Roman Myths and Legends of Ancient Greece and Rome THEMIS. / VESTA. / CERES. / APHRODITE (VENUS).; lines 1878-1983 medium Aphrodite steps onto Cyprus and the sand becomes a meadow; the Seasons dress and ornament her, and nymphs escort her to Olympus, where the gods receive her. record
Greek/Roman Myths and Legends of Ancient Greece and Rome SELENE (LUNA). / ARTEMIS (DIANA). / ARCADIAN ARTEMIS. / EPHESIAN ARTEMIS.; lines 2926-2974 medium As all-pervading love, Ephesian Artemis is said to be present in the Realm of Shades, partly replacing Hecate and Persephone, and permitting departed spirits to revisit earth with messages and warnings. record
Greek/Roman Myths and Legends of Ancient Greece and Rome NEREUS. / PROTEUS. / GLAUCUS. / THETIS.; lines 3489-3545 medium Thetis retains influence over the lord of heaven and uses it in favor of Achilles during the Trojan War. record
Greek/Roman Myths and Legends of Ancient Greece and Rome PART I.--MYTHS. / INTRODUCTION. / ORIGIN OF THE WORLD.--FIRST DYNASTY. / URANUS AND GAEA. (COELUS AND TERRA.); lines 436-525 high Uranus and Gaea are named as the first primeval deities; Uranus represents heaven, light, air, heat, purity, and omnipresence, while Gaea is the life-sustaining all-nourishing earth mother. record
Greek/Roman Myths and Legends of Ancient Greece and Rome PART I.--MYTHS. / INTRODUCTION. / ORIGIN OF THE WORLD.--FIRST DYNASTY. / URANUS AND GAEA. (COELUS AND TERRA.); lines 527-547 medium To avenge the oppression of her children, Gaea instigates a Titan conspiracy against Uranus, successfully carried out by Cronus. record
Greek/Roman Myths and Legends of Ancient Greece and Rome ORIGIN OF THE WORLD.--FIRST DYNASTY. / URANUS AND GAEA. (COELUS AND TERRA.) / SECOND DYNASTY. / CRONUS (SATURN).; lines 549-631 medium Rhea appeals to Uranus and Gaea, wraps a stone in baby-clothes, and Cronus swallows it without noticing the deception. record
Greek/Roman Myths and Legends of Ancient Greece and Rome LIBITINA. / LAVERNA. / COMUS. / THE CAMENAE.; lines 5955-5976 medium Egeria was regarded as giver of life and invoked by women before childbirth. record
Greek/Roman Myths and Legends of Ancient Greece and Rome GREEK FESTIVALS. / ELEUSINIAN MYSTERIES. / THESMOPHORIA. / DIONYSIA.; lines 6394-6446 medium The Thesmophoria was a festival honoring Demeter as presiding over marriage and social institutions resulting from agriculture. record
Greek/Roman Myths and Legends of Ancient Greece and Rome SECOND DYNASTY. / CRONUS (SATURN). / SATURN. / RHEA (OPS).; lines 651-698 high Rhea is wife of Cronus, mother of Zeus and the Olympian gods, personifies earth, is Great Mother, produces plant life, and has sway over animals, especially lions. record
Greek/Roman Myths and Legends of Ancient Greece and Rome SECOND DYNASTY. / CRONUS (SATURN). / SATURN. / RHEA (OPS).; lines 651-698 medium Rhea is represented with a crown of towers, seated on a throne with lions at her feet, or in a lion-drawn chariot. record
Greek/Roman Myths and Legends of Ancient Greece and Rome ROMAN FESTIVALS. / SATURNALIA. / CEREALIA. / VESTALIA.; lines 6521-6561 medium Cerealia honors Ceres and is solemnized exclusively by women in white garments who carry torches to represent Ceres' search for Proserpine. record
Greek/Roman Myths and Legends of Ancient Greece and Rome CRONUS (SATURN). / SATURN. / RHEA (OPS). / DIVISION OF THE WORLD.; lines 700-744 high Gaea makes the Giants invincible while their feet remain on the ground; rocks knock them down, removing their contact with mother-earth, and they are overcome in the Gigantomachia. record
Norse Myths of the Norsemen: From the Eddas and Sagas CHAPTER XXVI: THE SIGURD SAGA / CHAPTER XXVII: THE STORY OF FRITHIOF / CHAPTER XXVIII: THE TWILIGHT OF THE GODS / CHAPTER XXIX: GREEK AND NORTHERN MYTHOLOGIES; lines 12542-12649 high Earth is considered a female fostering divinity in North and South; Northern Rinda is hard and frozen, while Greek Ceres is genial, with climate offered as explanation. record
Norse Myths of the Norsemen: From the Eddas and Sagas CHAPTER XXVI: THE SIGURD SAGA / CHAPTER XXVII: THE STORY OF FRITHIOF / CHAPTER XXVIII: THE TWILIGHT OF THE GODS / CHAPTER XXIX: GREEK AND NORTHERN MYTHOLOGIES; lines 12651-12759 high Frigga is compared with Juno as an atmospheric goddess, patroness of marriage, motherly love, and childbirth; Gna is compared with Iris; Juno controls clouds while Frigga weaves them from spun thread. record
Norse Myths of the Norsemen: From the Eddas and Sagas INTRODUCTION / CHAPTER I: THE BEGINNING / CHAPTER II: ODIN / CHAPTER III: FRIGGA; lines 1877-1990 medium Frigga is represented as tall, beautiful, crowned with heron plumes, clothed in white, wearing a golden girdle with keys, and patroness of the Northern housewife. record
Norse Myths of the Norsemen: From the Eddas and Sagas INTRODUCTION / CHAPTER I: THE BEGINNING / CHAPTER II: ODIN / CHAPTER III: FRIGGA; lines 1992-2120 medium Fulla is described as Frigga's attendant, possible sister, jewel-casket keeper, helper with her toilet and golden shoes, confidante, and adviser in helping mortals. record
Norse Myths of the Norsemen: From the Eddas and Sagas INTRODUCTION / CHAPTER I: THE BEGINNING / CHAPTER II: ODIN / CHAPTER III: FRIGGA; lines 2362-2458 high Eástre/Ostara is described as a spring goddess identified with Frigga; her feast preserves customs of coloured eggs, flower-crowned Easter-stones, dancing, and bonfires. record
Norse Myths of the Norsemen: From the Eddas and Sagas INTRODUCTION / CHAPTER I: THE BEGINNING / CHAPTER II: ODIN / CHAPTER III: FRIGGA; lines 2362-2458 medium The passage connects Vrou-elde, the Milky Way name, Nerthus/Mother Earth, a guarded sacred car, a veiled yearly journey to bless the land, suspension of warfare, and ritual bathing in a secret lake that swallows assisting slaves. record
Hindu The Ramayan of Valmiki CAREY AND MARSHMAN. / SCHLEGEL. / GORRESIO. / HIPPOLYTE FAUCHE.; lines 57839-57896 high Sita, “clothed in red garments,” clasps her hands and swears that if she has never thought of anyone but Rama, the Earth goddess Madhavi should grant her a hiding-place. record
Greek Hesiod, the Homeric Hymns, and Homerica Theogony ll. 116-138 medium "Verily at the first Chaos came to be, but next wide-bosomed Earth... and dim Tartarus... and Eros (Love), fairest among the deathless gods..." record