Comparative mythology corpus

batch.motif.greek-plato-symposium-jowett-gutenberg-l64-l148

batch.motif.greek-plato-symposium-jowett-gutenberg-l64-l148

---
record_id: batch.motif.greek-plato-symposium-jowett-gutenberg-l64-l148
source_text_path: texts/public-domain/greek/project-gutenberg/symposium-jowett.md
passage_locator:
  label: Symposium / SYMPOSIUM / INTRODUCTION.; lines 64-148
  start: '64'
  end: '148'
  translation: Symposium
  notes: Generated from OpenAI Batch run motif-extraction-2026-04-28-high-priority;
    human review required.
canonical_text:
  quote: ''
  summary: 'The introduction characterizes Plato''s Symposium as distinctly Greek
    and frames the dialogue through reports of a banquet at Agathon''s house. Apollodorus
    recounts material received from Aristodemus: Socrates arrives late after a fit
    of abstraction, the guests replace drinking and flute music with ordered speeches
    in praise of love, and Phaedrus begins by arguing that love is ancient, confers
    honor, inspires courage, and is exemplified by Alcestis, Orpheus, and Achilles
    in differing ways.'
  language: English
  quote_policy: summarized
literal_observations:
- id: obs:1
  text: The passage states that Plato was not a mystic and that no foreign element
    of Egypt or Asia is found in his writings.
  category: attribute
  evidence_refs:
  - ev:1
- id: obs:2
  text: An unnamed person seeks an authentic account of discourses in praise of love
    spoken by Socrates and others at Agathon's banquet.
  category: action
  evidence_refs:
  - ev:2
- id: obs:3
  text: Apollodorus had not attended the banquet but had heard the account from Aristodemus,
    described as a humble and inseparable attendant of Socrates.
  category: relationship
  evidence_refs:
  - ev:2
- id: obs:4
  text: Aristodemus meets Socrates in holiday attire and is invited to Agathon's banquet,
    held after Agathon had sacrificed in thanksgiving for a tragic victory.
  category: sequence
  evidence_refs:
  - ev:3
- id: obs:5
  text: Socrates remains behind in abstraction and arrives when the banquet is half
    over.
  category: action
  evidence_refs:
  - ev:3
- id: obs:6
  text: Pausanias asks what the guests should do about drinking because they had been
    drunk the previous day.
  category: speech
  evidence_refs:
  - ev:4
- id: obs:7
  text: Eryximachus confirms the concern about drinking and proposes that the guests
    make speeches in honor of love instead of listening to the flute-girl.
  category: speech
  evidence_refs:
  - ev:4
- id: obs:8
  text: The speeches are to proceed one after another from left to right according
    to the reclining order at the table.
  category: sequence
  evidence_refs:
  - ev:4
- id: obs:9
  text: Phaedrus begins and describes love as ancient, supported by poets, and beneficial
    to humans through honor and dishonor.
  category: speech
  evidence_refs:
  - ev:5
- id: obs:10
  text: Phaedrus says a lover is ashamed to be seen by the beloved doing or suffering
    a cowardly or mean act.
  category: speech
  evidence_refs:
  - ev:5
- id: obs:11
  text: Phaedrus says a state or army made up only of lovers and their loves would
    be invincible.
  category: speech
  evidence_refs:
  - ev:5
- id: obs:12
  text: Alcestis is described as daring to die for her husband and being allowed to
    come again from the dead in recompense for her virtue.
  category: action
  evidence_refs:
  - ev:6
- id: obs:13
  text: Orpheus is described as going down to Hades alive to bring back his wife,
    receiving only an apparition, and later having his death contrived by the gods
    as punishment for cowardliness.
  category: sequence
  evidence_refs:
  - ev:7
- id: obs:14
  text: Achilles is described as willing to avenge Patroclus even though he knew his
    own death would immediately follow.
  category: action
  evidence_refs:
  - ev:8
- id: obs:15
  text: The gods are said to honor the love of the beloved above that of the lover
    and to have rewarded Achilles by sending him to the islands of the blest.
  category: relationship
  evidence_refs:
  - ev:8
figures:
- id: fig:1
  name_or_label: Plato
  description: Author discussed in the introduction as Greek in style and subject
    and as seeking reasoned truth.
  role_refs:
  - role:1
  evidence_refs:
  - ev:1
- id: fig:2
  name_or_label: Unnamed inquirer
  description: An unknown person who wants an authentic account of the discourses
    in praise of love.
  role_refs:
  - role:2
  evidence_refs:
  - ev:2
- id: fig:3
  name_or_label: Socrates
  description: One of the speakers at Agathon's banquet; invited Aristodemus, stayed
    behind in abstraction, and arrived after the banquet was half over.
  role_refs:
  - role:3
  evidence_refs:
  - ev:2
  - ev:3
- id: fig:4
  name_or_label: Apollodorus
  description: The informant who had heard the banquet account from Aristodemus and
    had repeated it to Glaucon.
  role_refs:
  - role:4
  evidence_refs:
  - ev:2
- id: fig:5
  name_or_label: Aristodemus
  description: Source of Apollodorus' account; described as a humble but inseparable
    attendant of Socrates.
  role_refs:
  - role:5
  evidence_refs:
  - ev:2
  - ev:3
- id: fig:6
  name_or_label: Glaucon
  description: A prior hearer to whom Apollodorus had just repeated the account.
  role_refs:
  - role:6
  evidence_refs:
  - ev:2
- id: fig:7
  name_or_label: Agathon
  description: Host of the banquet, associated with a thanksgiving sacrifice for his
    tragic victory.
  role_refs:
  - role:7
  evidence_refs:
  - ev:2
  - ev:3
- id: fig:8
  name_or_label: Pausanias
  description: A guest who asks what the company should do about drinking.
  role_refs:
  - role:8
  evidence_refs:
  - ev:4
- id: fig:9
  name_or_label: Eryximachus
  description: A physician who confirms the concern about drinking and proposes speeches
    in honor of love.
  role_refs:
  - role:9
  evidence_refs:
  - ev:4
- id: fig:10
  name_or_label: Flute-girl
  description: A performer whose music is rejected in favor of speeches.
  role_refs:
  - role:10
  evidence_refs:
  - ev:4
- id: fig:11
  name_or_label: Phaedrus
  description: The originator or 'father' of the idea for speeches in honor of love
    and the first speaker.
  role_refs:
  - role:11
  evidence_refs:
  - ev:4
  - ev:5
- id: fig:12
  name_or_label: Lover
  description: A general figure in Phaedrus' argument, ashamed before the beloved
    of cowardly or mean acts.
  role_refs:
  - role:12
  evidence_refs:
  - ev:5
- id: fig:13
  name_or_label: Beloved
  description: A general figure before whom the lover is ashamed and whose love the
    gods are said to honor above that of the lover.
  role_refs:
  - role:13
  evidence_refs:
  - ev:5
  - ev:8
- id: fig:14
  name_or_label: Alcestis
  description: A woman who dies for her husband and is allowed to return from the
    dead.
  role_refs:
  - role:14
  evidence_refs:
  - ev:6
- id: fig:15
  name_or_label: Alcestis' husband
  description: The husband for whom Alcestis dies.
  role_refs:
  - role:15
  evidence_refs:
  - ev:6
- id: fig:16
  name_or_label: Orpheus
  description: A harper who descends alive to Hades to bring back his wife but receives
    only an apparition and is punished.
  role_refs:
  - role:16
  evidence_refs:
  - ev:7
- id: fig:17
  name_or_label: Orpheus' wife
  description: The wife whom Orpheus attempts to bring back from Hades.
  role_refs:
  - role:17
  evidence_refs:
  - ev:7
- id: fig:18
  name_or_label: Gods
  description: Divine agents who allow Alcestis' return, punish Orpheus, and reward
    Achilles.
  role_refs:
  - role:18
  evidence_refs:
  - ev:6
  - ev:7
  - ev:8
- id: fig:19
  name_or_label: Achilles
  description: A figure willing to avenge Patroclus despite knowing his own death
    would follow, and rewarded by the gods.
  role_refs:
  - role:19
  evidence_refs:
  - ev:8
- id: fig:20
  name_or_label: Patroclus
  description: The lover of Achilles whom Achilles is willing to avenge.
  role_refs:
  - role:20
  evidence_refs:
  - ev:8
roles:
- id: role:1
  label: philosophical author
  assigned_to:
  - fig:1
  basis: The introduction presents Plato's work and states that he aspired to reasoned
    truth.
  evidence_refs:
  - ev:1
- id: role:2
  label: seeker of account
  assigned_to:
  - fig:2
  basis: The unknown person desires an authentic account of the banquet discourses.
  evidence_refs:
  - ev:2
- id: role:3
  label: banquet participant delayed by abstraction
  assigned_to:
  - fig:3
  basis: Socrates is associated with the speeches and arrives late after remaining
    behind in abstraction.
  evidence_refs:
  - ev:2
  - ev:3
- id: role:4
  label: recounting informant
  assigned_to:
  - fig:4
  basis: Apollodorus recounts what he had heard from Aristodemus and had repeated
    to Glaucon.
  evidence_refs:
  - ev:2
- id: role:5
  label: eyewitness source and attendant
  assigned_to:
  - fig:5
  basis: Aristodemus is the reported authority for the narrative and is described
    as Socrates' attendant.
  evidence_refs:
  - ev:2
- id: role:6
  label: prior listener
  assigned_to:
  - fig:6
  basis: Glaucon had just heard the account from Apollodorus.
  evidence_refs:
  - ev:2
- id: role:7
  label: victorious host
  assigned_to:
  - fig:7
  basis: Agathon hosts the banquet after sacrificing for his tragic victory.
  evidence_refs:
  - ev:3
- id: role:8
  label: questioning guest
  assigned_to:
  - fig:8
  basis: Pausanias asks what the guests should do about drinking.
  evidence_refs:
  - ev:4
- id: role:9
  label: physician and proposer of speeches
  assigned_to:
  - fig:9
  basis: Eryximachus is identified as a physician and proposes speeches instead of
    flute music.
  evidence_refs:
  - ev:4
- id: role:10
  label: dismissed musician
  assigned_to:
  - fig:10
  basis: The guests choose speeches instead of listening to the flute-girl.
  evidence_refs:
  - ev:4
- id: role:11
  label: first speaker on love
  assigned_to:
  - fig:11
  basis: Phaedrus begins the ordered speeches and is called the father of the idea.
  evidence_refs:
  - ev:4
  - ev:5
- id: role:12
  label: lover under honor-shame pressure
  assigned_to:
  - fig:12
  basis: Phaedrus says the lover is ashamed before the beloved of cowardly or mean
    action.
  evidence_refs:
  - ev:5
- id: role:13
  label: beloved as moral witness
  assigned_to:
  - fig:13
  basis: The beloved is the one before whom the lover feels shame; the gods honor
    this love highly.
  evidence_refs:
  - ev:5
  - ev:8
- id: role:14
  label: self-sacrificing spouse
  assigned_to:
  - fig:14
  basis: Alcestis dares to die for her husband.
  evidence_refs:
  - ev:6
- id: role:15
  label: spouse saved by sacrifice
  assigned_to:
  - fig:15
  basis: Alcestis dies for her husband.
  evidence_refs:
  - ev:6
- id: role:16
  label: failed underworld retriever
  assigned_to:
  - fig:16
  basis: Orpheus descends alive to Hades to bring back his wife but receives only
    an apparition.
  evidence_refs:
  - ev:7
- id: role:17
  label: sought dead spouse
  assigned_to:
  - fig:17
  basis: Orpheus seeks to bring his wife back from Hades.
  evidence_refs:
  - ev:7
- id: role:18
  label: divine rewarders and punishers
  assigned_to:
  - fig:18
  basis: The gods allow return from death, punish cowardliness, and reward Achilles.
  evidence_refs:
  - ev:6
  - ev:7
  - ev:8
- id: role:19
  label: avenging beloved rewarded after death
  assigned_to:
  - fig:19
  basis: Achilles avenges Patroclus knowing his own death will follow and is sent
    to the islands of the blest.
  evidence_refs:
  - ev:8
- id: role:20
  label: dead lover to be avenged
  assigned_to:
  - fig:20
  basis: Patroclus is named as Achilles' lover whom Achilles avenges.
  evidence_refs:
  - ev:8
symbols:
- id: sym:1
  label: banquet
  literal_form: banquet at Agathon's house
  associated_figures:
  - fig:3
  - fig:5
  - fig:7
  - fig:8
  - fig:9
  - fig:11
  taxonomy_refs: []
  evidence_refs:
  - ev:2
  - ev:3
  - ev:4
- id: sym:2
  label: thanksgiving sacrifice
  literal_form: sacrifice in thanksgiving for tragic victory
  associated_figures:
  - fig:7
  taxonomy_refs: []
  evidence_refs:
  - ev:3
- id: sym:3
  label: ordered speeches in honor of love
  literal_form: speeches made one after another from left to right
  associated_figures:
  - fig:8
  - fig:9
  - fig:11
  taxonomy_refs: []
  evidence_refs:
  - ev:4
- id: sym:4
  label: flute-girl and noise
  literal_form: flute-girl whose performance is replaced by speeches
  associated_figures:
  - fig:10
  taxonomy_refs: []
  evidence_refs:
  - ev:4
- id: sym:5
  label: army of lovers
  literal_form: state or army made up only of lovers and their loves
  associated_figures:
  - fig:12
  - fig:13
  taxonomy_refs: []
  evidence_refs:
  - ev:5
- id: sym:6
  label: Hades
  literal_form: underworld destination to which Orpheus goes alive
  associated_figures:
  - fig:16
  - fig:17
  taxonomy_refs: []
  evidence_refs:
  - ev:7
- id: sym:7
  label: apparition
  literal_form: apparition given to Orpheus instead of his wife restored
  associated_figures:
  - fig:16
  - fig:17
  - fig:18
  taxonomy_refs: []
  evidence_refs:
  - ev:7
- id: sym:8
  label: islands of the blest
  literal_form: afterlife place to which Achilles is sent by the gods
  associated_figures:
  - fig:18
  - fig:19
  taxonomy_refs: []
  evidence_refs:
  - ev:8
scenes:
- id: scene:1
  label: Framed request for the banquet account
  summary: An unnamed inquirer seeks an authentic account of love speeches from Apollodorus,
    who relies on Aristodemus' report and has recently retold it to Glaucon.
  figure_refs:
  - fig:2
  - fig:3
  - fig:4
  - fig:5
  - fig:6
  - fig:7
  symbol_refs:
  - sym:1
  evidence_refs:
  - ev:2
- id: scene:2
  label: Arrival at Agathon's banquet
  summary: Aristodemus meets Socrates in holiday attire and is invited to Agathon's
    banquet; Agathon has sacrificed for his victory, while Socrates delays in abstraction
    and arrives midway through the meal.
  figure_refs:
  - fig:3
  - fig:5
  - fig:7
  symbol_refs:
  - sym:1
  - sym:2
  evidence_refs:
  - ev:3
- id: scene:3
  label: Decision to replace drinking and flute music with speeches
  summary: Pausanias raises the problem of drinking after the previous day's drunkenness,
    and Eryximachus proposes ordered speeches in honor of love instead of the flute-girl's
    music.
  figure_refs:
  - fig:8
  - fig:9
  - fig:10
  - fig:11
  symbol_refs:
  - sym:1
  - sym:3
  - sym:4
  evidence_refs:
  - ev:4
- id: scene:4
  label: Phaedrus' praise of love as source of honor and courage
  summary: Phaedrus begins by describing love as ancient and beneficial, especially
    through honor, shame, and the conversion of cowardice into inspired heroism.
  figure_refs:
  - fig:11
  - fig:12
  - fig:13
  symbol_refs:
  - sym:3
  - sym:5
  evidence_refs:
  - ev:5
- id: scene:5
  label: Exempla of love tested by death
  summary: Phaedrus' argument uses Alcestis, Orpheus, and Achilles as examples involving
    love, death, divine response, and differing outcomes of return, punishment, or
    afterlife reward.
  figure_refs:
  - fig:14
  - fig:15
  - fig:16
  - fig:17
  - fig:18
  - fig:19
  - fig:20
  symbol_refs:
  - sym:6
  - sym:7
  - sym:8
  evidence_refs:
  - ev:6
  - ev:7
  - ev:8
candidate_motifs:
- id: motif:1
  label: Banquet transformed into philosophical praise discourse
  taxonomy_refs:
  - wisdom
  basis: The guests set aside drinking and flute music to deliver ordered speeches
    in honor of love.
  evidence_refs:
  - ev:4
  confidence: medium
  cautions: The taxonomy reference is broad; the passage frames the speeches as discursive
    rather than explicitly sacred or revelatory.
- id: motif:2
  label: Love as source of heroic courage and honor
  taxonomy_refs: []
  basis: Phaedrus says love creates shame before the beloved, makes an army of lovers
    invincible, and converts even a coward into an inspired hero.
  evidence_refs:
  - ev:5
  confidence: high
  cautions: No specific taxonomy family in the supplied list exactly matches honor-shame
    heroic inspiration by love.
- id: motif:3
  label: Self-sacrificial death for spouse followed by return from the dead
  taxonomy_refs:
  - sacrifice
  - resurrection
  - death_rebirth
  basis: Alcestis dies for her husband and is allowed to come again from the dead
    as recompense for virtue.
  evidence_refs:
  - ev:6
  confidence: high
  cautions: The passage summarizes the myth briefly and does not describe the mechanics
    of her return.
- id: motif:4
  label: Living descent to Hades to retrieve a dead spouse
  taxonomy_refs:
  - hero_descent
  - return
  basis: Orpheus goes down to Hades alive to bring back his wife.
  evidence_refs:
  - ev:7
  confidence: high
  cautions: The attempted return fails in this summary; the 'return' taxonomy applies
    only to the intended recovery, not a successful outcome.
- id: motif:5
  label: Apparition substituted for restored beloved
  taxonomy_refs:
  - stolen_beloved
  basis: Orpheus receives only an apparition when he seeks to bring back his wife.
  evidence_refs:
  - ev:7
  confidence: medium
  cautions: The supplied 'stolen_beloved' taxonomy is only approximate; the passage
    states loss to death/Hades, not theft.
- id: motif:6
  label: Divine punishment and reward according to courage in love
  taxonomy_refs:
  - divine_judgment
  basis: The gods punish Orpheus for cowardliness and reward Achilles for courageous
    love by sending him to the islands of the blest.
  evidence_refs:
  - ev:7
  - ev:8
  confidence: high
  cautions: The passage reports Phaedrus' moral valuation rather than a full judgment
    scene.
- id: motif:7
  label: Foreknown death accepted to avenge beloved
  taxonomy_refs:
  - sacrifice
  basis: Achilles is willing to avenge Patroclus even though he knows his own death
    will immediately follow.
  evidence_refs:
  - ev:8
  confidence: high
  cautions: The passage describes willing acceptance of death, not a ritual sacrifice.
- id: motif:8
  label: Blessed afterlife destination as reward
  taxonomy_refs:
  - afterlife_journey_map
  - divine_judgment
  basis: The gods reward Achilles by sending him to the islands of the blest.
  evidence_refs:
  - ev:8
  confidence: medium
  cautions: The passage names the destination but does not map a journey or describe
    the afterlife place.
comparison_claims:
- id: claim:1
  claim: Within Phaedrus' argument, Alcestis and Achilles are presented as parallel
    examples of courageous love involving willingness to die and divine reward.
  claim_level: same_function
  target: Alcestis and Achilles as exempla of courageous love
  evidence_refs:
  - ev:6
  - ev:8
  counter_evidence_refs: []
  confidence: high
  limitations: 'The two examples differ in relationship and outcome: Alcestis dies
    for a husband and returns, while Achilles avenges Patroclus and receives an afterlife
    reward.'
- id: claim:2
  claim: 'The passage contrasts Alcestis and Orpheus as spouse-related death narratives
    with opposite moral outcomes: Alcestis is rewarded for dying, while Orpheus is
    denied recovery of his wife and punished for cowardliness.'
  claim_level: same_function
  target: Alcestis and Orpheus as contrasting spouse-and-death exempla
  evidence_refs:
  - ev:6
  - ev:7
  counter_evidence_refs: []
  confidence: high
  limitations: The comparison is mediated by the narrator's summary of Phaedrus' speech
    and does not provide full mythic details.
- id: claim:3
  claim: Orpheus' episode fits the broad pattern of a living figure descending to
    the underworld to recover a beloved, though the recovery fails in this passage.
  claim_level: same_motif
  target: Underworld descent to retrieve a dead beloved
  evidence_refs:
  - ev:7
  counter_evidence_refs: []
  confidence: medium
  limitations: The passage gives only a compressed summary and does not describe the
    descent's route, trials, or conditions.
- id: claim:4
  claim: The examples of Orpheus and Achilles both connect divine evaluation with
    conduct in love, one through punishment and the other through reward.
  claim_level: same_function
  target: Divine judgment of conduct in love
  evidence_refs:
  - ev:7
  - ev:8
  counter_evidence_refs: []
  confidence: high
  limitations: The gods' reasoning is summarized in moral terms by the passage rather
    than dramatized as a formal judgment.
evidence:
- id: ev:1
  type: summary
  locator: lines 64-86
  quote_or_summary: The introduction praises the Symposium's form, states Plato was
    not a mystic, denies Egyptian or Asian foreign elements, and describes the work
    as Greek in style and subject.
  source_text_path: texts/public-domain/greek/project-gutenberg/symposium-jowett.md
  rights_note: Public domain source; summarized.
- id: ev:2
  type: summary
  locator: lines 87-101
  quote_or_summary: An unknown person seeks an authentic account of love speeches
    at Agathon's banquet from Apollodorus, who relies on Aristodemus' report and has
    recently retold it to Glaucon.
  source_text_path: texts/public-domain/greek/project-gutenberg/symposium-jowett.md
  rights_note: Public domain source; summarized.
- id: ev:3
  type: summary
  locator: lines 103-111
  quote_or_summary: Aristodemus meets Socrates in holiday attire, is invited to Agathon's
    banquet after a thanksgiving sacrifice for victory, and finds Socrates delayed
    in abstraction until the banquet is half over.
  source_text_path: texts/public-domain/greek/project-gutenberg/symposium-jowett.md
  rights_note: Public domain source; summarized.
- id: ev:4
  type: summary
  locator: lines 111-123
  quote_or_summary: Pausanias raises the question of drinking after prior drunkenness;
    Eryximachus proposes speeches in honor of love instead of the flute-girl, proceeding
    left to right, and Phaedrus begins as originator of the idea.
  source_text_path: texts/public-domain/greek/project-gutenberg/symposium-jowett.md
  rights_note: Public domain source; summarized.
- id: ev:5
  type: summary
  locator: lines 124-132
  quote_or_summary: Phaedrus speaks of love's antiquity and benefits, especially honor
    and shame, and says lovers and beloveds would form an invincible force because
    love inspires heroism.
  source_text_path: texts/public-domain/greek/project-gutenberg/symposium-jowett.md
  rights_note: Public domain source; summarized.
- id: ev:6
  type: summary
  locator: lines 134-137
  quote_or_summary: Alcestis is presented as a true love who dared to die for her
    husband and was allowed to return from the dead as recompense for virtue.
  source_text_path: texts/public-domain/greek/project-gutenberg/symposium-jowett.md
  rights_note: Public domain source; summarized.
- id: ev:7
  type: summary
  locator: lines 137-141
  quote_or_summary: Orpheus, called a miserable harper, goes alive to Hades to bring
    back his wife, receives only an apparition, and is later punished by the gods
    for cowardliness.
  source_text_path: texts/public-domain/greek/project-gutenberg/symposium-jowett.md
  rights_note: Public domain source; summarized.
- id: ev:8
  type: summary
  locator: lines 141-148
  quote_or_summary: Achilles' love is called courageous and true because he avenges
    Patroclus despite knowing his own death will follow; the gods reward him by sending
    him to the islands of the blest.
  source_text_path: texts/public-domain/greek/project-gutenberg/symposium-jowett.md
  rights_note: Public domain source; summarized.
confidence:
  extraction: high
  motif_candidates: medium
  comparison_claims: medium
  notes: The passage is an English public-domain introduction that summarizes parts
    of the Symposium and embedded mythic exempla. Literal extraction is strong, while
    taxonomy alignment is sometimes approximate because the available motif families
    are broad.
reviewer_status:
  status: needs_review
  reviewer: ''
  reviewed_at: ''
  notes: Machine-generated draft from OpenAI Batch; not human-reviewed.
extracted_by: openai_batch:gpt-5.5
extracted_at: '2026-04-28'
notes: |-
  Used only the supplied passage text and metadata. No external mythographic details added.
  batch_run_id=motif-extraction-2026-04-28-high-priority
  custom_id=motif_extract:greek-plato-symposium-jowett-gutenberg__l64-l148
  passage_sha256=b31570809824ef242b539c8038e00b7dee834b37887c282e67621da26e8a59ca