Comparative mythology corpus

batch.motif.greek-plato-symposium-jowett-gutenberg-l411-l502

batch.motif.greek-plato-symposium-jowett-gutenberg-l411-l502

---
record_id: batch.motif.greek-plato-symposium-jowett-gutenberg-l411-l502
source_text_path: texts/public-domain/greek/project-gutenberg/symposium-jowett.md
passage_locator:
  label: Symposium / SYMPOSIUM / INTRODUCTION.; lines 411-502
  start: '411'
  end: '502'
  translation: Symposium
  notes: Generated from OpenAI Batch run motif-extraction-2026-04-28-high-priority;
    human review required.
canonical_text:
  quote: ''
  summary: The passage summarizes the close of the Symposium, with dispute, revelry,
    sleep, dawn, and Socrates' return to ordinary activity, then comments on the interpretive
    difficulty of the work and describes Plato's treatment of love as a force in nature,
    mythology, philosophy, and human aspiration toward beauty, goodness, truth, and
    knowledge. It also characterizes the speeches on love and notes several philosophical
    observations attributed to individual speakers.
  language: English
  quote_policy: summarized
literal_observations:
- id: obs:1
  text: After Alcibiades speaks, a dispute begins among Alcibiades, Agathon, and Socrates.
  category: sequence
  evidence_refs:
  - ev:1
- id: obs:2
  text: A band of revellers enters and brings disorder into the feast.
  category: action
  evidence_refs:
  - ev:1
- id: obs:3
  text: Eryximachus, Phaedrus, and other sober members of the company withdraw.
  category: action
  evidence_refs:
  - ev:1
- id: obs:4
  text: Aristodemus sleeps through a long winter night and wakes at cockcrow.
  category: action
  evidence_refs:
  - ev:1
- id: obs:5
  text: Near dawn, Socrates, Aristophanes, and Agathon remain awake, drinking from
    a large goblet that is passed around.
  category: action
  evidence_refs:
  - ev:2
- id: obs:6
  text: Socrates explains that tragedy and comedy have the same genius, and that a
    writer of tragedy should also be a writer of comedy.
  category: speech
  evidence_refs:
  - ev:2
- id: obs:7
  text: Aristophanes falls asleep first, then Agathon; Socrates lays them to rest,
    bathes, and goes to his daily activities, followed by Aristodemus.
  category: sequence
  evidence_refs:
  - ev:2
- id: obs:8
  text: The passage says the Symposium has half-lights, cross-lights, mythological
    coloring, sophistic manner, rhetoric, poetry, playfulness, seriousness, old philosophy,
    and future knowledge intermingled.
  category: attribute
  evidence_refs:
  - ev:3
- id: obs:9
  text: The power of love is described as running through all nature and all being,
    from animals and plants to the highest vision of truth.
  category: attribute
  evidence_refs:
  - ev:4
- id: obs:10
  text: Love is described as becoming a mythic personage and as being converted by
    philosophy into an efficient cause of creation.
  category: attribute
  evidence_refs:
  - ev:5
- id: obs:11
  text: The passage mentions gender, sex in plants, elective affinities among elements,
    and marriages of earth and heaven.
  category: relationship
  evidence_refs:
  - ev:5
- id: obs:12
  text: Male and female are said to appear in the Pythagorean list of opposites alongside
    odd and even, finite and infinite.
  category: relationship
  evidence_refs:
  - ev:5
- id: obs:13
  text: Socrates is described as not originally unimpassioned, but as one who has
    overcome his passions.
  category: attribute
  evidence_refs:
  - ev:6
- id: obs:14
  text: In the Phaedrus and Symposium, love is described as mystical contemplation
    of the beautiful and the good.
  category: attribute
  evidence_refs:
  - ev:6
- id: obs:15
  text: The same passion is described as capable both of degrading itself and of rising
    to lofty heights and philosophy's inmost secret.
  category: attribute
  evidence_refs:
  - ev:6
- id: obs:16
  text: The highest love is described as love of the highest and purest abstraction,
    not of a person.
  category: attribute
  evidence_refs:
  - ev:7
- id: obs:17
  text: The successive speeches in praise of love are described as characteristic
    of their speakers and as preparing the way for Socrates.
  category: sequence
  evidence_refs:
  - ev:8
- id: obs:18
  text: Aristophanes is said to declare that love is the desire of the whole.
  category: speech
  evidence_refs:
  - ev:9
figures:
- id: fig:1
  name_or_label: Alcibiades
  description: Speaker whose speech precedes a dispute with Agathon and Socrates.
  role_refs:
  - role:1
  evidence_refs:
  - ev:1
- id: fig:2
  name_or_label: Agathon
  description: Participant in the dispute; remains awake with Socrates and Aristophanes
    near dawn before falling asleep.
  role_refs:
  - role:2
  - role:3
  evidence_refs:
  - ev:1
  - ev:2
- id: fig:3
  name_or_label: Socrates
  description: Participant in the dispute; explains the relation of tragedy and comedy;
    lays others to rest, bathes, and goes to daily activities; later described as
    self-controlled and as gathering up the speeches on love.
  role_refs:
  - role:2
  - role:4
  - role:5
  evidence_refs:
  - ev:1
  - ev:2
  - ev:6
  - ev:8
- id: fig:4
  name_or_label: band of revellers
  description: Group that appears and introduces disorder into the feast.
  role_refs:
  - role:6
  evidence_refs:
  - ev:1
- id: fig:5
  name_or_label: Eryximachus
  description: One of the sober company who withdraws; later cited for remarks on
    music.
  role_refs:
  - role:7
  - role:8
  evidence_refs:
  - ev:1
  - ev:9
- id: fig:6
  name_or_label: Phaedrus
  description: One of the sober company who withdraws.
  role_refs:
  - role:7
  evidence_refs:
  - ev:1
- id: fig:7
  name_or_label: Aristodemus
  description: Follower of Socrates who sleeps through the winter night, wakes at
    cockcrow, and follows Socrates.
  role_refs:
  - role:9
  evidence_refs:
  - ev:1
  - ev:2
- id: fig:8
  name_or_label: Aristophanes
  description: Participant who remains awake near dawn, then falls asleep; later cited
    as saying love is the desire of the whole.
  role_refs:
  - role:3
  - role:8
  evidence_refs:
  - ev:2
  - ev:9
- id: fig:9
  name_or_label: Plato
  description: Authorial figure discussed as mingling jest and earnest, truth and
    opinion, and as presenting a doctrine of love.
  role_refs:
  - role:10
  evidence_refs:
  - ev:7
  - ev:9
- id: fig:10
  name_or_label: Love
  description: Personified and conceptualized as a mythic personage, a god addressed
    by speeches, and a philosophical cause or object of contemplation.
  role_refs:
  - role:11
  - role:12
  evidence_refs:
  - ev:5
  - ev:6
  - ev:8
- id: fig:11
  name_or_label: Pausanias
  description: Speaker cited for the remark that personal attachments are inimical
    to despots.
  role_refs:
  - role:8
  evidence_refs:
  - ev:9
- id: fig:12
  name_or_label: Agathon as speaker
  description: Speaker cited for the saying that no man can be wronged of his own
    free will.
  role_refs:
  - role:8
  evidence_refs:
  - ev:9
roles:
- id: role:1
  label: preceding speaker
  assigned_to:
  - fig:1
  basis: Alcibiades has finished speaking before the dispute starts.
  evidence_refs:
  - ev:1
- id: role:2
  label: disputant
  assigned_to:
  - fig:2
  - fig:3
  basis: A dispute begins between Alcibiades, Agathon, and Socrates.
  evidence_refs:
  - ev:1
- id: role:3
  label: last wakeful banquet participant
  assigned_to:
  - fig:2
  - fig:3
  - fig:8
  basis: Only Socrates, Aristophanes, and Agathon remain awake near dawn.
  evidence_refs:
  - ev:2
- id: role:4
  label: teacher or explainer
  assigned_to:
  - fig:3
  basis: Socrates explains the relation of tragedy and comedy to the others.
  evidence_refs:
  - ev:2
- id: role:5
  label: self-controlled lover of wisdom
  assigned_to:
  - fig:3
  basis: Socrates is described as passionate but self-controlled, and as preparing
    the final synthesis of speeches.
  evidence_refs:
  - ev:6
  - ev:8
- id: role:6
  label: disorder-bringing group
  assigned_to:
  - fig:4
  basis: The revellers introduce disorder into the feast.
  evidence_refs:
  - ev:1
- id: role:7
  label: sober withdrawer
  assigned_to:
  - fig:5
  - fig:6
  basis: Eryximachus, Phaedrus, and other sober members withdraw.
  evidence_refs:
  - ev:1
- id: role:8
  label: speaker in praise or analysis of love
  assigned_to:
  - fig:5
  - fig:8
  - fig:11
  - fig:12
  basis: These figures are named in the discussion of successive speeches and their
    remarks.
  evidence_refs:
  - ev:8
  - ev:9
- id: role:9
  label: follower and witness
  assigned_to:
  - fig:7
  basis: Aristodemus is identified as the follower of Socrates and is present for
    the night and morning sequence.
  evidence_refs:
  - ev:1
  - ev:2
- id: role:10
  label: philosophical-poetic authorial figure
  assigned_to:
  - fig:9
  basis: The passage attributes to Plato the mingling of jest, earnest, truth, opinion,
    and the doctrine of love.
  evidence_refs:
  - ev:7
  - ev:9
- id: role:11
  label: mythic personage
  assigned_to:
  - fig:10
  basis: Love is said to become a mythic personage and to be addressed by speeches
    dedicated to the god.
  evidence_refs:
  - ev:5
  - ev:8
- id: role:12
  label: cosmic and philosophical principle
  assigned_to:
  - fig:10
  basis: Love is described as running through nature and being, and as an efficient
    cause of creation and contemplation of the beautiful and good.
  evidence_refs:
  - ev:4
  - ev:5
  - ev:6
symbols:
- id: sym:1
  label: large goblet
  literal_form: A large goblet passed around by Socrates, Aristophanes, and Agathon
    while they drink near dawn.
  associated_figures:
  - fig:2
  - fig:3
  - fig:8
  taxonomy_refs: []
  evidence_refs:
  - ev:2
- id: sym:2
  label: cockcrow and dawn
  literal_form: Cockcrow and dawning mark the transition from the night of revelry
    to morning activity.
  associated_figures:
  - fig:2
  - fig:3
  - fig:7
  - fig:8
  taxonomy_refs: []
  evidence_refs:
  - ev:1
  - ev:2
- id: sym:3
  label: Love as mythic personage
  literal_form: Love is described as a mythic personage and as a god to whom speeches
    are dedicated.
  associated_figures:
  - fig:10
  taxonomy_refs: []
  evidence_refs:
  - ev:5
  - ev:8
- id: sym:4
  label: marriages of earth and heaven
  literal_form: The passage refers to marriages of earth and heaven in a discussion
    of gender, mythology, and natural philosophy.
  associated_figures:
  - fig:10
  taxonomy_refs: []
  evidence_refs:
  - ev:5
- id: sym:5
  label: Pythagorean opposites
  literal_form: Male and female are paired with odd and even, finite and infinite.
  associated_figures: []
  taxonomy_refs: []
  evidence_refs:
  - ev:5
- id: sym:6
  label: far-off heaven
  literal_form: The highest abstraction is described as a far-off heaven on which
    the eye of the mind is fixed.
  associated_figures:
  - fig:10
  taxonomy_refs: []
  evidence_refs:
  - ev:7
- id: sym:7
  label: eye of the mind
  literal_form: An image of mental vision fixed on the far-off heaven of abstraction.
  associated_figures: []
  taxonomy_refs: []
  evidence_refs:
  - ev:7
scenes:
- id: scene:1
  label: Dispute and disorder at the feast
  summary: After Alcibiades speaks, a dispute begins; revellers enter, disturb the
    feast, and the sober company withdraws.
  figure_refs:
  - fig:1
  - fig:2
  - fig:3
  - fig:4
  - fig:5
  - fig:6
  symbol_refs: []
  evidence_refs:
  - ev:1
- id: scene:2
  label: Winter night, cockcrow, and dawn
  summary: Aristodemus sleeps through the winter night and wakes at cockcrow; Socrates,
    Aristophanes, and Agathon continue drinking from a large goblet, then Aristophanes
    and Agathon fall asleep as day dawns.
  figure_refs:
  - fig:2
  - fig:3
  - fig:7
  - fig:8
  symbol_refs:
  - sym:1
  - sym:2
  evidence_refs:
  - ev:1
  - ev:2
- id: scene:3
  label: Socrates returns to daily life
  summary: After laying the others to rest, Socrates bathes and goes to his daily
    activities, with Aristodemus following.
  figure_refs:
  - fig:3
  - fig:7
  symbol_refs:
  - sym:2
  evidence_refs:
  - ev:2
- id: scene:4
  label: Interpretive character of the Symposium
  summary: The work is described as difficult to interpret because mythology, sophistry,
    rhetoric, poetry, playfulness, seriousness, old philosophy, and future knowledge
    are interwoven.
  figure_refs:
  - fig:9
  symbol_refs: []
  evidence_refs:
  - ev:3
- id: scene:5
  label: Love across nature and being
  summary: Love is presented as present throughout nature and being, linked to animals,
    plants, truth, gender, elemental affinities, earth and heaven, and oppositional
    pairs.
  figure_refs:
  - fig:10
  symbol_refs:
  - sym:3
  - sym:4
  - sym:5
  evidence_refs:
  - ev:4
  - ev:5
- id: scene:6
  label: Human love and philosophical ascent
  summary: Love in human beings is described as extending beyond sex, transforming
    passion toward mystical contemplation of beauty, goodness, abstraction, truth,
    knowledge, and the eternal.
  figure_refs:
  - fig:3
  - fig:10
  symbol_refs:
  - sym:6
  - sym:7
  evidence_refs:
  - ev:6
  - ev:7
- id: scene:7
  label: Speeches preparing Socrates
  summary: The speeches in praise of love are treated as varied rhetorical and poetic
    performances that prepare the way for Socrates and contain glimpses of truth.
  figure_refs:
  - fig:3
  - fig:5
  - fig:8
  - fig:10
  - fig:11
  - fig:12
  symbol_refs:
  - sym:3
  evidence_refs:
  - ev:8
  - ev:9
candidate_motifs:
- id: motif:1
  label: Love as cosmic creative principle
  taxonomy_refs:
  - divine_beloved
  basis: Love is described as running through nature and being and as a mythic personage
    converted by philosophy into an efficient cause of creation.
  evidence_refs:
  - ev:4
  - ev:5
  confidence: medium
  cautions: The taxonomy reference is approximate; the passage treats Love as a personified
    and philosophical principle rather than narrating a divine beloved episode.
- id: motif:2
  label: Ascent from sensual passion to contemplation of truth
  taxonomy_refs:
  - ascent
  - mystical_quest
  - wisdom
  basis: The passage says love can rise to the loftiest heights, penetrate philosophy's
    inmost secret, and become mystical contemplation of the beautiful and good.
  evidence_refs:
  - ev:6
  - ev:7
  confidence: high
  cautions: This is presented in an introductory philosophical summary, not as a discrete
    mythic journey narrative.
- id: motif:3
  label: Union or desire for wholeness
  taxonomy_refs:
  - annihilation_union
  basis: The passage reports Aristophanes' declaration that love is the desire of
    the whole.
  evidence_refs:
  - ev:9
  confidence: medium
  cautions: Only a brief paraphrase is given here; the passage does not include the
    full Aristophanic myth.
- id: motif:4
  label: Sacred marriage of earth and heaven
  taxonomy_refs:
  - sacred_marriage
  basis: The passage refers to marriages of earth and heaven while discussing gender,
    mythology, natural philosophy, and love.
  evidence_refs:
  - ev:5
  confidence: medium
  cautions: The phrase is cited as part of an interpretive survey, not narrated as
    a full myth.
- id: motif:5
  label: Cosmic duality through opposites
  taxonomy_refs:
  - duality
  basis: Male and female are set alongside odd and even and finite and infinite in
    the Pythagorean list of opposites.
  evidence_refs:
  - ev:5
  confidence: high
  cautions: The passage gives a philosophical classification, not a mythic conflict
    between paired beings.
- id: motif:6
  label: Dawn after revelry and philosophical endurance
  taxonomy_refs:
  - wisdom
  basis: At dawn, most revellers sleep while Socrates remains active, explains tragedy
    and comedy, tends to the sleepers, bathes, and resumes daily duties.
  evidence_refs:
  - ev:1
  - ev:2
  confidence: medium
  cautions: The wisdom motif is inferred from Socrates' endurance and philosophical
    speech within the summary; the passage itself is not a mythic trial narrative.
comparison_claims:
- id: claim:1
  claim: The passage itself compares Aristophanes' statement that love is desire for
    the whole to a German philosopher's saying that philosophy is homesickness.
  claim_level: same_function
  target: A German philosopher's saying that philosophy is 'home sickness'
  evidence_refs:
  - ev:9
  counter_evidence_refs: []
  confidence: medium
  limitations: The German philosopher is not named in the passage, and the comparison
    is limited to a stated resemblance of feeling rather than historical contact or
    shared origin.
evidence:
- id: ev:1
  type: summary
  locator: lines 411-418
  quote_or_summary: After Alcibiades' speech, a dispute begins with Agathon and Socrates;
    revellers create disorder; sober participants withdraw; Aristodemus sleeps through
    a long winter night and wakes at cockcrow.
  source_text_path: texts/public-domain/greek/project-gutenberg/symposium-jowett.md
  rights_note: Public domain source; summarized.
- id: ev:2
  type: summary
  locator: lines 418-424
  quote_or_summary: Near dawn, Socrates, Aristophanes, and Agathon drink from a large
    goblet; Socrates explains that tragedy and comedy have the same genius; Aristophanes
    and then Agathon sleep; Socrates bathes and resumes daily activities.
  source_text_path: texts/public-domain/greek/project-gutenberg/symposium-jowett.md
  rights_note: Public domain source; summarized.
- id: ev:3
  type: summary
  locator: lines 427-442
  quote_or_summary: The Symposium is described as difficult to interpret, with mythological
    color, sophistic manner, rhetoric, poetry, playfulness, seriousness, old philosophy,
    and future knowledge intermingled.
  source_text_path: texts/public-domain/greek/project-gutenberg/symposium-jowett.md
  rights_note: Public domain source; summarized.
- id: ev:4
  type: quote
  locator: lines 444-448
  quote_or_summary: '"The power of love is represented in the Symposium as running
    through all nature and all being" and extending from animals and plants to the
    highest vision of truth.'
  source_text_path: texts/public-domain/greek/project-gutenberg/symposium-jowett.md
  rights_note: Public domain source; short quotation.
- id: ev:5
  type: summary
  locator: lines 448-461
  quote_or_summary: The passage discusses gender, sex in plants, elemental affinities,
    marriages of earth and heaven, Love as a mythic personage and cause of creation,
    and male/female among Pythagorean opposites.
  source_text_path: texts/public-domain/greek/project-gutenberg/symposium-jowett.md
  rights_note: Public domain source; summarized.
- id: ev:6
  type: summary
  locator: lines 463-475
  quote_or_summary: The passage describes a mystery of love in man beyond immediate
    sex; Socrates is passionate but self-controlled; love in Phaedrus and Symposium
    is mystical contemplation of the beautiful and good and can rise to philosophy's
    highest secret.
  source_text_path: texts/public-domain/greek/project-gutenberg/symposium-jowett.md
  rights_note: Public domain source; summarized.
- id: ev:7
  type: summary
  locator: lines 475-484
  quote_or_summary: The highest love is described as love of the highest and purest
    abstraction, figured as a far-off heaven for the eye of the mind, and associated
    with truth, knowledge, the invisible, and the eternal.
  source_text_path: texts/public-domain/greek/project-gutenberg/symposium-jowett.md
  rights_note: Public domain source; summarized.
- id: ev:8
  type: summary
  locator: lines 486-494
  quote_or_summary: The successive speeches in praise of love are said to characterize
    their speakers, prepare the way for Socrates, and dedicate rhetorical and poetic
    performances to the god.
  source_text_path: texts/public-domain/greek/project-gutenberg/symposium-jowett.md
  rights_note: Public domain source; summarized.
- id: ev:9
  type: summary
  locator: lines 494-502
  quote_or_summary: The passage summarizes remarks by Eryximachus, Pausanias, Aristophanes,
    and Agathon, including Aristophanes' claim that love is the desire of the whole
    and a comparison to philosophy as homesickness.
  source_text_path: texts/public-domain/greek/project-gutenberg/symposium-jowett.md
  rights_note: Public domain source; summarized.
confidence:
  extraction: high
  motif_candidates: medium
  comparison_claims: medium
  notes: The extraction is based on an English public-domain introduction rather than
    the dramatic dialogue itself. Motif labels are cautious because much of the passage
    is interpretive philosophical commentary.
reviewer_status:
  status: needs_review
  reviewer: ''
  reviewed_at: ''
  notes: Machine-generated draft from OpenAI Batch; not human-reviewed.
extracted_by: openai_batch:gpt-5.5
extracted_at: '2026-04-28'
notes: |-
  Only the supplied passage and metadata were used. Taxonomy references are limited to the provided available taxonomy list.
  batch_run_id=motif-extraction-2026-04-28-high-priority
  custom_id=motif_extract:greek-plato-symposium-jowett-gutenberg__l411-l502
  passage_sha256=bb82f5df18de164d2d54a14ac5440e22b7c112065f637eae82fd47726d05e25d