Comparative mythology corpus

batch.motif.sufi-persian-mystics-rumi-davis-gutenberg-l1082-l1104

batch.motif.sufi-persian-mystics-rumi-davis-gutenberg-l1082-l1104

---
record_id: batch.motif.sufi-persian-mystics-rumi-davis-gutenberg-l1082-l1104
source_text_path: texts/public-domain/sufi/project-gutenberg/persian-mystics-rumi-davis.md
passage_locator:
  label: THE SEA OF LOVE / THE BEAUTY OF THE BELOVED / THE WATER OF ETERNAL LIFE /
    EARTHLY LOVE AND THE LOVE DIVINE; lines 1082-1104
  start: '1082'
  end: '1104'
  translation: 'The Persian Mystics: Jalálu''d-dín Rúmí'
  notes: Generated from OpenAI Batch run motif-extraction-2026-04-28-high-priority;
    human review required.
canonical_text:
  quote: ''
  summary: The passage contrasts true or divine Love with attachment to borrowed and
    mortal beloveds. It says entry to the Beloved depends on Love, identifies Love
    and the Lover as eternal, urges embrace of the Soul, and describes the House of
    Love as boundless. The soul is compared to a mirror receiving the Beloved's image,
    and Joseph's beauty is invoked through women cutting their hands in his presence.
  language: English
  quote_policy: summarized
literal_observations:
- id: obs:1
  text: A spirit that does not wear true Love as a garment is described as shameful
    in its being.
  category: attribute
  evidence_refs:
  - ev:1
- id: obs:2
  text: Entrance to the Beloved is said to be impossible without the dealing of Love.
  category: relationship
  evidence_refs:
  - ev:2
- id: obs:3
  text: Love and the Lover are described as living to all eternity.
  category: attribute
  evidence_refs:
  - ev:3
- id: obs:4
  text: The addressee is told not to set the heart on anything else because it is
    only borrowed.
  category: speech
  evidence_refs:
  - ev:3
- id: obs:5
  text: A contrast is made between a dead beloved and the Soul, which is described
    as embraced by nothing.
  category: relationship
  evidence_refs:
  - ev:3
- id: obs:6
  text: Things born in spring are said to die in autumn, while Love's rose-plot does
    not depend on early spring.
  category: sequence
  evidence_refs:
  - ev:3
- id: obs:7
  text: The House of Love is described as having no bound or end.
  category: setting
  evidence_refs:
  - ev:4
- id: obs:8
  text: The soul is compared to a mirror that has received the Beloved's image in
    its heart.
  category: object
  evidence_refs:
  - ev:5
- id: obs:9
  text: The tip of the Beloved's curl is described as sinking into the speaker's heart
    like a comb.
  category: action
  evidence_refs:
  - ev:5
- id: obs:10
  text: Women cutting their hands in Joseph's presence are cited as a precedent for
    overwhelming beauty or presence.
  category: action
  evidence_refs:
  - ev:6
- id: obs:11
  text: The speaker calls the soul to come because the Beloved is in the midst.
  category: speech
  evidence_refs:
  - ev:6
figures:
- id: fig:1
  name_or_label: true Love
  description: Love personified or treated as a necessary garment, dealing, and eternal
    reality.
  role_refs:
  - role:1
  - role:2
  evidence_refs:
  - ev:1
  - ev:2
  - ev:3
- id: fig:2
  name_or_label: the Beloved
  description: The one to whom entrance is sought and whose presence or image is central
    to the passage.
  role_refs:
  - role:3
  evidence_refs:
  - ev:2
  - ev:5
  - ev:6
- id: fig:3
  name_or_label: the Lover
  description: Named together with Love as living to all eternity.
  role_refs:
  - role:4
  evidence_refs:
  - ev:3
- id: fig:4
  name_or_label: the Soul
  description: Described as something to embrace, embraced by nothing, and called
    to come to the Beloved.
  role_refs:
  - role:5
  evidence_refs:
  - ev:3
  - ev:6
- id: fig:5
  name_or_label: spirit without true Love
  description: A spirit lacking true Love as a garment, whose being is called shame.
  role_refs:
  - role:6
  evidence_refs:
  - ev:1
- id: fig:6
  name_or_label: Lord of Heaven
  description: A figure introduced in the House of Love section and compared to Venus
    and the moon.
  role_refs:
  - role:7
  evidence_refs:
  - ev:4
- id: fig:7
  name_or_label: Joseph
  description: Named in connection with women cutting their hands in his presence.
  role_refs:
  - role:8
  evidence_refs:
  - ev:6
- id: fig:8
  name_or_label: women in Joseph's presence
  description: Women who cut their hands in Joseph's presence.
  role_refs:
  - role:9
  evidence_refs:
  - ev:6
roles:
- id: role:1
  label: necessary condition for approach
  assigned_to:
  - fig:1
  basis: Entrance to the Beloved is denied without Love's dealing.
  evidence_refs:
  - ev:2
- id: role:2
  label: eternal reality
  assigned_to:
  - fig:1
  basis: Love is said to live to all eternity with the Lover.
  evidence_refs:
  - ev:3
- id: role:3
  label: object of spiritual approach and presence
  assigned_to:
  - fig:2
  basis: The Beloved is the one entered, imaged in the soul, and present in the midst.
  evidence_refs:
  - ev:2
  - ev:5
  - ev:6
- id: role:4
  label: eternal participant in Love
  assigned_to:
  - fig:3
  basis: The Lover is named with Love as living to all eternity.
  evidence_refs:
  - ev:3
- id: role:5
  label: spiritual addressee or inner self
  assigned_to:
  - fig:4
  basis: The Soul is to be embraced and is called to come to the Beloved.
  evidence_refs:
  - ev:3
  - ev:6
- id: role:6
  label: deficient being without Love
  assigned_to:
  - fig:5
  basis: The spirit without true Love as garment is described as shameful.
  evidence_refs:
  - ev:1
- id: role:7
  label: heavenly beloved-like figure
  assigned_to:
  - fig:6
  basis: The Lord of Heaven is introduced with beauty comparisons to Venus and the
    moon in the House of Love.
  evidence_refs:
  - ev:4
- id: role:8
  label: exemplar of overwhelming beauty
  assigned_to:
  - fig:7
  basis: Joseph's presence is associated with women cutting their hands.
  evidence_refs:
  - ev:6
- id: role:9
  label: witnesses overcome in Joseph's presence
  assigned_to:
  - fig:8
  basis: The women cut their hands in Joseph's presence.
  evidence_refs:
  - ev:6
symbols:
- id: sym:1
  label: garment of true Love
  literal_form: garment
  associated_figures:
  - fig:1
  - fig:5
  taxonomy_refs: []
  evidence_refs:
  - ev:1
- id: sym:2
  label: dead beloved
  literal_form: dead beloved
  associated_figures: []
  taxonomy_refs: []
  evidence_refs:
  - ev:3
- id: sym:3
  label: spring and autumn
  literal_form: spring and autumn
  associated_figures: []
  taxonomy_refs: []
  evidence_refs:
  - ev:3
- id: sym:4
  label: Love's rose-plot
  literal_form: rose-plot
  associated_figures:
  - fig:1
  taxonomy_refs: []
  evidence_refs:
  - ev:3
- id: sym:5
  label: House of Love
  literal_form: house with no bound or end
  associated_figures:
  - fig:1
  taxonomy_refs: []
  evidence_refs:
  - ev:4
- id: sym:6
  label: Venus and the moon
  literal_form: Venus and the moon
  associated_figures:
  - fig:6
  taxonomy_refs: []
  evidence_refs:
  - ev:4
- id: sym:7
  label: mirror-soul
  literal_form: mirror
  associated_figures:
  - fig:2
  - fig:4
  taxonomy_refs: []
  evidence_refs:
  - ev:5
- id: sym:8
  label: Beloved's image in the heart
  literal_form: image in the heart
  associated_figures:
  - fig:2
  - fig:4
  taxonomy_refs: []
  evidence_refs:
  - ev:5
- id: sym:9
  label: curl and comb in the heart
  literal_form: curl and comb
  associated_figures:
  - fig:2
  taxonomy_refs: []
  evidence_refs:
  - ev:5
- id: sym:10
  label: cut hands in Joseph's presence
  literal_form: women cutting their hands
  associated_figures:
  - fig:7
  - fig:8
  taxonomy_refs: []
  evidence_refs:
  - ev:6
scenes:
- id: scene:1
  label: Instruction to seek eternal Love rather than mortal attachment
  summary: The passage says that true Love is necessary, that Love and the Lover are
    eternal, and that the addressee should not cling to borrowed or dead beloveds
    but embrace the Soul.
  figure_refs:
  - fig:1
  - fig:2
  - fig:3
  - fig:4
  - fig:5
  symbol_refs:
  - sym:1
  - sym:2
  - sym:3
  - sym:4
  evidence_refs:
  - ev:1
  - ev:2
  - ev:3
- id: scene:2
  label: Boundless House of Love
  summary: The House of Love is described as without bound or end, and the Lord of
    Heaven is compared to Venus and the moon.
  figure_refs:
  - fig:1
  - fig:6
  symbol_refs:
  - sym:5
  - sym:6
  evidence_refs:
  - ev:4
- id: scene:3
  label: Beloved imaged in the soul and present in the midst
  summary: The soul is likened to a mirror that has received the Beloved's image;
    the Beloved's curl enters the speaker's heart, and Joseph's story is invoked before
    calling the soul to the Beloved's presence.
  figure_refs:
  - fig:2
  - fig:4
  - fig:7
  - fig:8
  symbol_refs:
  - sym:7
  - sym:8
  - sym:9
  - sym:10
  evidence_refs:
  - ev:5
  - ev:6
candidate_motifs:
- id: motif:1
  label: divine beloved
  taxonomy_refs:
  - divine_beloved
  basis: The passage repeatedly centers the Beloved as the goal of entrance, the image
    received in the soul, and the presence in the midst, while distinguishing this
    from mortal or earthly attachment.
  evidence_refs:
  - ev:2
  - ev:3
  - ev:5
  - ev:6
  confidence: high
  cautions: The passage is mystical lyric rather than narrative myth; the Beloved
    is not explicitly defined in doctrinal terms within this excerpt alone.
- id: motif:2
  label: mystical quest through love
  taxonomy_refs:
  - mystical_quest
  basis: The passage presents Love as the necessary means of entrance to the Beloved
    and instructs the addressee to turn from borrowed attachments toward the Soul
    and Beloved.
  evidence_refs:
  - ev:2
  - ev:3
  - ev:6
  confidence: medium
  cautions: No extended journey sequence appears; the quest structure is implied by
    approach and entrance language.
- id: motif:3
  label: annihilation or union in divine love
  taxonomy_refs:
  - annihilation_union
  basis: The passage emphasizes eternal Love and Lover, the soul receiving the Beloved's
    image in the heart, and the Beloved's curl entering the heart.
  evidence_refs:
  - ev:3
  - ev:5
  confidence: medium
  cautions: The excerpt does not explicitly describe annihilation; union is suggested
    through imagery of inward reception and intimacy.
- id: motif:4
  label: transience of earthly love versus eternal love
  taxonomy_refs:
  - death_rebirth
  - seasonal_cycle
  basis: The passage contrasts borrowed attachments, a dead beloved, and things born
    in spring dying in autumn with eternal Love and Love's rose-plot.
  evidence_refs:
  - ev:3
  confidence: medium
  cautions: The available taxonomy does not include a direct 'transience versus eternity'
    motif; seasonal and death imagery are present but not developed as a full cycle
    narrative.
comparison_claims: []
evidence:
- id: ev:1
  type: summary
  locator: lines 1082-1085
  quote_or_summary: The section titled 'EARTHLY LOVE AND THE LOVE DIVINE' says a spirit
    not wearing true Love as a garment would be better not to have been, since its
    being is shame.
  source_text_path: texts/public-domain/sufi/project-gutenberg/persian-mystics-rumi-davis.md
  rights_note: Public domain source; summary used.
- id: ev:2
  type: quote
  locator: lines 1086-1087
  quote_or_summary: '"Without the dealing of Love there is no entrance to the Beloved."'
  source_text_path: texts/public-domain/sufi/project-gutenberg/persian-mystics-rumi-davis.md
  rights_note: Public domain source; short quotation.
- id: ev:3
  type: summary
  locator: lines 1088-1094
  quote_or_summary: Love and the Lover are said to live eternally; the addressee is
    warned not to set the heart on borrowed things, to stop embracing a dead beloved,
    to embrace the Soul, and to note that spring-born things die in autumn while Love's
    rose-plot is not dependent on early spring.
  source_text_path: texts/public-domain/sufi/project-gutenberg/persian-mystics-rumi-davis.md
  rights_note: Public domain source; summary used.
- id: ev:4
  type: summary
  locator: lines 1096-1099
  quote_or_summary: In 'THE HOUSE OF LOVE,' the Lord of Heaven is compared to Venus
    and the moon, and the House of Love is described as without bound or end.
  source_text_path: texts/public-domain/sufi/project-gutenberg/persian-mystics-rumi-davis.md
  rights_note: Public domain source; summary used.
- id: ev:5
  type: summary
  locator: lines 1100-1102
  quote_or_summary: The soul is compared to a mirror receiving the Beloved's image
    in its heart, and the Beloved's curl is described as sinking into the speaker's
    heart like a comb.
  source_text_path: texts/public-domain/sufi/project-gutenberg/persian-mystics-rumi-davis.md
  rights_note: Public domain source; summary used.
- id: ev:6
  type: summary
  locator: lines 1103-1104
  quote_or_summary: The passage recalls women cutting their hands in Joseph's presence
    and then calls the soul to come because the Beloved is in the midst.
  source_text_path: texts/public-domain/sufi/project-gutenberg/persian-mystics-rumi-davis.md
  rights_note: Public domain source; summary used.
confidence:
  extraction: high
  motif_candidates: medium
  comparison_claims: uncertain
  notes: Literal imagery and roles are clear, but motif labels require caution because
    the passage is a short mystical lyric excerpt rather than a narrative myth passage.
    No comparison claims were made beyond candidate motif classification.
reviewer_status:
  status: needs_review
  reviewer: ''
  reviewed_at: ''
  notes: Machine-generated draft from OpenAI Batch; not human-reviewed.
extracted_by: openai_batch:gpt-5.5
extracted_at: '2026-04-28'
notes: |-
  Used only the supplied passage, metadata, and available taxonomy references. No symbol taxonomy refs were assigned because none of the provided symbol taxonomy terms occur literally in the excerpt.
  batch_run_id=motif-extraction-2026-04-28-high-priority
  custom_id=motif_extract:sufi-persian-mystics-rumi-davis-gutenberg__l1082-l1104
  passage_sha256=9012478a3395570fd1b1dfbdda7246d5190d8d17dea13ec06e97eedc1963a7c0