batch.motif.sufi-jami-persian-mystics-davis-gutenberg-l689-l785
---
record_id: batch.motif.sufi-jami-persian-mystics-davis-gutenberg-l689-l785
source_text_path: texts/public-domain/sufi/project-gutenberg/persian-mystics-jami-davis.md
passage_locator:
label: CONTENTS / INTRODUCTION / EDITORIAL NOTE / INTRODUCTION; lines 689-785
start: '689'
end: '785'
translation: 'The Persian Mystics: Jámí'
notes: Generated from OpenAI Batch run motif-extraction-2026-04-28-high-priority;
human review required.
canonical_text:
quote: ''
summary: The passage contains editorial footnotes with comparative references, followed
by selections from "Salámán and Absál." The poetic excerpts address Jámí as a
singer of old stories, praise a divine addressee whose beauty appears through
mortal beloveds and all created forms, describe a son as a man's desired blessing
and support, and portray lust as a destructive force that blinds reason and leads
downward.
language: English
quote_policy: summarized
literal_observations:
- id: obs:1
text: Editorial footnotes direct readers to compare motifs or episodes involving
the babe Jesus speaking in a cave, famous wonderful steeds, and Rama after Lanka's
destruction.
category: other
evidence_refs:
- ev:1
- id: obs:2
text: The opening poetic excerpt says the guests have departed after drinking wine,
leaving empty bowls, and urges Jámí to offer what remains in song or story.
category: sequence
evidence_refs:
- ev:2
- id: obs:3
text: The speaker says the divine addressee's memory enlivens lovers and that mortal
beauty is a veil behind which heavenly beauty is hidden.
category: speech
evidence_refs:
- ev:3
- id: obs:4
text: The speaker asks the divine addressee to reveal perfect beauty and says he
wishes to be the divine addressee's lover only, self-lost in that revelation.
category: speech
evidence_refs:
- ev:4
- id: obs:5
text: The divine addressee is said to move under all forms of truth and created
things, so that the speaker discerns only the addressee in the universe.
category: attribute
evidence_refs:
- ev:4
- id: obs:6
text: A son is described as a blessing that preserves a man's name, supports him,
renews his youth and strength, and aids friends in battle.
category: attribute
evidence_refs:
- ev:5
- id: obs:7
text: Lust is described as blinding reason, making a devil seem angelic, ruining
a prosperous house, and leading a person down the Way of Nothing.
category: attribute
evidence_refs:
- ev:6
figures:
- id: fig:1
name_or_label: Jámí
description: Named poet addressed in the opening selection and urged to continue
offering song or story.
role_refs:
- role:1
evidence_refs:
- ev:2
- id: fig:2
name_or_label: Divine Thou
description: A divine addressee whose memory quickens lovers, whose beauty is hidden
behind mortal beauty, and who moves under all created forms.
role_refs:
- role:2
evidence_refs:
- ev:3
- ev:4
- id: fig:3
name_or_label: Laila
description: A mortal beloved whose cheek is described as a place through which
the divine secret beauty inflames Majnún.
role_refs:
- role:3
evidence_refs:
- ev:3
- id: fig:4
name_or_label: Majnún
description: A lover inflamed when the divine secret beauty acts through Laila.
role_refs:
- role:4
evidence_refs:
- ev:3
- id: fig:5
name_or_label: Shírín
description: A mortal beloved whose lip is described as sweetened by the divine
addressee.
role_refs:
- role:3
evidence_refs:
- ev:3
- id: fig:6
name_or_label: Son
description: An ideal son described as a man's desired blessing, support, renewed
strength, and martial helper.
role_refs:
- role:5
evidence_refs:
- ev:5
- id: fig:7
name_or_label: Lust
description: A personified or abstract destructive force that blinds reason and
leads downward.
role_refs:
- role:6
evidence_refs:
- ev:6
- id: fig:8
name_or_label: Babe Jesus
description: A figure mentioned in an editorial footnote as miraculously speaking
in a cave in New Testament Apocryphal Writings.
role_refs:
- role:7
evidence_refs:
- ev:1
- id: fig:9
name_or_label: Rakush
description: A horse from Firdawsí's Shahnámá mentioned in an editorial comparison.
role_refs:
- role:8
evidence_refs:
- ev:1
- id: fig:10
name_or_label: Kyrat
description: The wonderful steed of the bandit-poet Kurroglou mentioned in an editorial
comparison.
role_refs:
- role:8
evidence_refs:
- ev:1
- id: fig:11
name_or_label: Rama
description: A figure whose attitude after Lanka's destruction is mentioned in an
editorial comparison.
role_refs:
- role:9
evidence_refs:
- ev:1
roles:
- id: role:1
label: poet-storyteller
assigned_to:
- fig:1
basis: Jámí is addressed as one who strings pearls on a harp of song and still has
a story to tell.
evidence_refs:
- ev:2
- id: role:2
label: divine beloved and hidden source of beauty
assigned_to:
- fig:2
basis: The addressee quickens lovers, hides behind mortal beauty, and is sought
as the speaker's only beloved.
evidence_refs:
- ev:3
- ev:4
- id: role:3
label: mortal beloved as veil of divine beauty
assigned_to:
- fig:3
- fig:5
basis: Laila and Shírín are named as mortal beloveds through whom the divine addressee's
beauty acts.
evidence_refs:
- ev:3
- id: role:4
label: lover affected by divine beauty through mortal beloved
assigned_to:
- fig:4
basis: Majnún is inflamed when divine beauty acts through Laila.
evidence_refs:
- ev:3
- id: role:5
label: desired heir and support
assigned_to:
- fig:6
basis: The son is called man's prime desire and is described as support, renewed
strength, and battle-aid.
evidence_refs:
- ev:5
- id: role:6
label: destructive passion
assigned_to:
- fig:7
basis: Lust blinds reason, causes ruin, and leads downward.
evidence_refs:
- ev:6
- id: role:7
label: miraculous speaking child
assigned_to:
- fig:8
basis: The footnote refers to the miraculous speaking of the babe Jesus in a cave.
evidence_refs:
- ev:1
- id: role:8
label: wonderful steed
assigned_to:
- fig:9
- fig:10
basis: The footnote compares Firdawsí's Rakush and Kyrat, called a wonderful steed.
evidence_refs:
- ev:1
- id: role:9
label: epic figure in aftermath of Lanka's destruction
assigned_to:
- fig:11
basis: The footnote asks readers to compare Rama's attitude after the destruction
of Lanka.
evidence_refs:
- ev:1
symbols:
- id: sym:1
label: wine and emptied bowls
literal_form: Wine, lees, cups, bowls, and a departed revel in the opening excerpt.
associated_figures:
- fig:1
taxonomy_refs: []
evidence_refs:
- ev:2
- id: sym:2
label: veil of mortal beauty
literal_form: A veil through which mortal beauty hides heavenly beauty.
associated_figures:
- fig:2
- fig:3
- fig:5
taxonomy_refs: []
evidence_refs:
- ev:3
- id: sym:3
label: all created forms
literal_form: Forms of truth and all created things under which the divine addressee
moves.
associated_figures:
- fig:2
taxonomy_refs: []
evidence_refs:
- ev:4
- id: sym:4
label: son as support and continuation
literal_form: A son described as a foot to stand on, a hand to stop falling, and
a continuation of name and strength.
associated_figures:
- fig:6
taxonomy_refs: []
evidence_refs:
- ev:5
- id: sym:5
label: destructive unlawful drink
literal_form: Lust compared to an unlawful drink or wine whose taste leads to craving
and ruin.
associated_figures:
- fig:7
taxonomy_refs: []
evidence_refs:
- ev:6
- id: sym:6
label: road of mire and Way of Nothing
literal_form: A miry road and downward Way of Nothing associated with lust.
associated_figures:
- fig:7
taxonomy_refs: []
evidence_refs:
- ev:6
- id: sym:7
label: cave
literal_form: A cave in which the babe Jesus is said in the footnote to speak miraculously.
associated_figures:
- fig:8
taxonomy_refs:
- cave
evidence_refs:
- ev:1
scenes:
- id: scene:1
label: Departed revel and unfinished song
summary: After guests have drunk and departed, Jámí is urged to offer what remains
and continue the old story despite age and spent life.
figure_refs:
- fig:1
symbol_refs:
- sym:1
evidence_refs:
- ev:2
- id: scene:2
label: Divine beauty behind beloved forms
summary: The divine addressee is praised as the source of lovers' joy and as the
hidden beauty behind mortal beloveds such as Laila and Shírín.
figure_refs:
- fig:2
- fig:3
- fig:4
- fig:5
symbol_refs:
- sym:2
evidence_refs:
- ev:3
- id: scene:3
label: Desire for unveiled divine vision
summary: The speaker asks the divine addressee to unfold perfect beauty, desires
to be lover of that addressee only, and reports perceiving only that presence
in the universe.
figure_refs:
- fig:2
symbol_refs:
- sym:3
evidence_refs:
- ev:4
- id: scene:4
label: Praise of the son
summary: A son is presented as man's prime desire, preserving his name and serving
as support, strength, and martial ally.
figure_refs:
- fig:6
symbol_refs:
- sym:4
evidence_refs:
- ev:5
- id: scene:5
label: Lust as destructive descent
summary: Lust is described as blinding reason, ruining households, enslaving the
person through craving, and leading down the Way of Nothing.
figure_refs:
- fig:7
symbol_refs:
- sym:5
- sym:6
evidence_refs:
- ev:6
- id: scene:6
label: Editorial comparative notes
summary: The notes point to comparisons with a speaking babe Jesus in a cave, renowned
steeds, and Rama after Lanka's destruction.
figure_refs:
- fig:8
- fig:9
- fig:10
- fig:11
symbol_refs:
- sym:7
evidence_refs:
- ev:1
candidate_motifs:
- id: motif:1
label: Divine beloved hidden behind mortal beauty
taxonomy_refs:
- divine_beloved
basis: The divine addressee is the source of lovers' experience, while mortal beauty
is described as a veil hiding heavenly beauty.
evidence_refs:
- ev:3
confidence: high
cautions: The passage is devotional and mystical; the extraction does not identify
a narrative episode beyond the imagery in the excerpt.
- id: motif:2
label: Self-loss in divine revelation
taxonomy_refs:
- annihilation_union
basis: The speaker seeks to be the divine addressee's only lover, with eyes sealed
to all but that addressee and self lost in revelation.
evidence_refs:
- ev:4
confidence: high
cautions: The passage states self-loss and exclusive divine vision, but does not
narrate a completed union event.
- id: motif:3
label: Mystical quest for unveiled beauty
taxonomy_refs:
- mystical_quest
basis: The speaker asks the divine addressee to unfold perfect beauty and expresses
longing for direct vision beyond the veil.
evidence_refs:
- ev:3
- ev:4
confidence: medium
cautions: This is lyrical supplication rather than an extended quest narrative.
- id: motif:4
label: Miraculous speaking child in cave
taxonomy_refs:
- miraculous_child
basis: An editorial note explicitly mentions the miraculous speaking of the babe
Jesus in a cave.
evidence_refs:
- ev:1
confidence: medium
cautions: The underlying Jámí episode is not included in the supplied passage; the
motif appears only through an editorial comparison.
- id: motif:5
label: Destructive passion as downward path
taxonomy_refs: []
basis: Lust is depicted as blinding reason, ruining a house, enslaving through craving,
and leading down the Way of Nothing.
evidence_refs:
- ev:6
confidence: high
cautions: No matching supplied taxonomy family is assigned because the passage frames
this as moral and spiritual warning rather than a listed motif family.
- id: motif:6
label: Son as continuation and support
taxonomy_refs: []
basis: A son is described as preserving the man's name and acting as support, renewed
strength, and battle-aid.
evidence_refs:
- ev:5
confidence: high
cautions: The passage does not identify the son as divine or miraculous; no supplied
parent-child taxonomy is applied.
comparison_claims:
- id: claim:1
claim: The editorial note invites comparison with a miraculous speaking babe Jesus
in a cave in New Testament Apocryphal Writings.
claim_level: same_motif
target: Miraculous speaking child in a cave; New Testament Apocryphal Writings
evidence_refs:
- ev:1
counter_evidence_refs: []
confidence: medium
limitations: The passage provides only the editorial comparison and not the corresponding
Jámí narrative episode.
- id: claim:2
claim: The editorial note groups Rakush from the Shahnámá with Kyrat, the wonderful
steed of Kurroglou, as comparable heroic or wonderful horses.
claim_level: same_function
target: Wonderful steed motif in Firdawsí's Shahnámá and Kurroglou tradition
evidence_refs:
- ev:1
counter_evidence_refs: []
confidence: low
limitations: The note is brief and does not describe the traits or narrative functions
being compared.
- id: claim:3
claim: The editorial note suggests comparing an attitude in the source context with
Rama's attitude after Lanka's destruction.
claim_level: same_function
target: Rama after the destruction of Lanka
evidence_refs:
- ev:1
counter_evidence_refs: []
confidence: low
limitations: The passage does not state the source-side attitude or the specific
basis of comparison.
evidence:
- id: ev:1
type: summary
locator: lines 689-700
quote_or_summary: 'Footnotes cite comparisons: speaking babe Jesus in a cave, Rakush
and Kyrat as steeds, and Rama after Lanka.'
source_text_path: texts/public-domain/sufi/project-gutenberg/persian-mystics-jami-davis.md
rights_note: Public domain source; concise summary used.
- id: ev:2
type: summary
locator: lines 704-717
quote_or_summary: Guests have drunk wine and departed; Jámí is urged to offer what
remains and continue the story/song.
source_text_path: texts/public-domain/sufi/project-gutenberg/persian-mystics-jami-davis.md
rights_note: Public domain source; concise summary used.
- id: ev:3
type: quote
locator: lines 721-736
quote_or_summary: '"mortal beauty but the veil / Thy heavenly hides behind"'
source_text_path: texts/public-domain/sufi/project-gutenberg/persian-mystics-jami-davis.md
rights_note: Public domain source; short excerpt quoted.
- id: ev:4
type: quote
locator: lines 737-748
quote_or_summary: '"Self-lost"; "nothing I discern / But Thee in all the universe."'
source_text_path: texts/public-domain/sufi/project-gutenberg/persian-mystics-jami-davis.md
rights_note: Public domain source; short excerpt quoted.
- id: ev:5
type: summary
locator: lines 752-765
quote_or_summary: A son is praised as man's prime desire, continuation of name,
support in weakness, renewed strength, and aid in battle.
source_text_path: texts/public-domain/sufi/project-gutenberg/persian-mystics-jami-davis.md
rights_note: Public domain source; concise summary used.
- id: ev:6
type: summary
locator: lines 768-785
quote_or_summary: Lust blinds reason, makes a devil seem angelic, ruins the house,
acts like unlawful wine, and leads down the Way of Nothing.
source_text_path: texts/public-domain/sufi/project-gutenberg/persian-mystics-jami-davis.md
rights_note: Public domain source; concise summary used.
confidence:
extraction: high
motif_candidates: medium
comparison_claims: low
notes: The lyrical mystical motifs are directly supported by the passage. Comparison
claims are mostly editorial footnote signals without the source-side episodes
in this excerpt, so they require review.
reviewer_status:
status: needs_review
reviewer: ''
reviewed_at: ''
notes: Machine-generated draft from OpenAI Batch; not human-reviewed.
extracted_by: openai_batch:gpt-5.5
extracted_at: '2026-04-28'
notes: |-
Only supplied passage text and metadata were used. Taxonomy references were limited to available lists.
batch_run_id=motif-extraction-2026-04-28-high-priority
custom_id=motif_extract:sufi-jami-persian-mystics-davis-gutenberg__l689-l785
passage_sha256=235c83f0a4682c0bab824bd5ac6bd1c771628bebfefc56a2ca3db2abe2c46c6f