batch.motif.sufi-rumi-mesnevi-book-1-redhouse-gutenberg-l2685-l2821
---
record_id: batch.motif.sufi-rumi-mesnevi-book-1-redhouse-gutenberg-l2685-l2821
source_text_path: texts/public-domain/sufi/project-gutenberg/mesnevi-book-1-redhouse.md
passage_locator:
label: THE ACTS OF THE ADEPTS / CHAPTER I. / CHAPTER II. / CHAPTER III.; lines 2685-2821
start: '2685'
end: '2821'
translation: The Mesnevi
notes: Generated from OpenAI Batch run motif-extraction-2026-04-28-high-priority;
human review required.
canonical_text:
quote: ''
summary: 'A sequence of anecdotes about Jelāl and related sacred narratives: a heifer
disappears; Jelāl demonstrates a miracle of taper and candles at Perwāna’s palace;
he rebukes Qāni’ī for disparaging Sanā’ī and Qāni’ī becomes his disciple; he praises
Sanā’ī’s Ilāhī-nāma as spiritually potent; a narrative tells how Adam received
wisdom, faith, and modesty as inseparable divine pearls; Jelāl raises the dead
flute-player Hamza temporarily, leading to a festival and conversions; and a beloved
hunchback disciple plays tambourine ecstatically at a festival.'
language: English
quote_policy: summarized
literal_observations:
- id: obs:1
text: The heifer is reported as never being seen again in the meadows of Qonya.
category: action
evidence_refs:
- ev:1
- id: obs:2
text: At a meeting in Perwāna’s palace, guests bring large waxlights while Jelāl
brings a small wax-taper.
category: setting
evidence_refs:
- ev:2
- id: obs:3
text: Jelāl says the large candles depend on his taper for their light, extinguishes
his taper, and all the candles go out.
category: action
evidence_refs:
- ev:2
- id: obs:4
text: Jelāl sighs; his taper catches fire and the other candles burn again.
category: action
evidence_refs:
- ev:2
- id: obs:5
text: The candle miracle is said to result in numerous conversions.
category: sequence
evidence_refs:
- ev:2
- id: obs:6
text: Qāni’ī says he dislikes Sanā’ī’s writings because Sanā’ī quoted Qur’ānic passages
in poetry and used them as rhymes.
category: speech
evidence_refs:
- ev:3
- id: obs:7
text: Jelāl rebukes Qāni’ī, praises Sanā’ī’s poetry as an exposition of Qur’ānic
mysteries, and warns against denying the rank of saints.
category: speech
evidence_refs:
- ev:3
- id: obs:8
text: Qāni’ī responds by uncovering his head, asking forgiveness, confessing contrition,
and becoming one of Jelāl’s disciples.
category: sequence
evidence_refs:
- ev:3
- id: obs:9
text: A disciple of Husāmu-’d-Dīn is to swear a vow against backsliding on Sanā’ī’s
Ilāhī-nāma rather than on the Qur’ān.
category: action
evidence_refs:
- ev:4
- id: obs:10
text: Jelāl says the Ilāhī-nāma would bring a more severe chastisement on a forswearer
than the Qur’ān, describing the Word of God as milk and the Ilāhī-nāma as cream
and butter.
category: speech
evidence_refs:
- ev:4
- id: obs:11
text: 'In the Adam narrative, God commands Gabriel to offer Adam three pearls from
the divine treasury: wisdom, faith, and modesty.'
category: action
evidence_refs:
- ev:5
- id: obs:12
text: Adam chooses the pearl of wisdom.
category: action
evidence_refs:
- ev:5
- id: obs:13
text: Gabriel cannot lift the salver containing the remaining pearls, and the pearls
say they will not be separated from wisdom.
category: action
evidence_refs:
- ev:5
- id: obs:14
text: A voice from the divine presence tells Gabriel to leave the pearls and come
away.
category: speech
evidence_refs:
- ev:5
- id: obs:15
text: Wisdom is said to take its seat on Adam’s brain, faith in his heart, and modesty
in his countenance.
category: relationship
evidence_refs:
- ev:5
- id: obs:16
text: Jelāl addresses the dead Hamza and commands him to arise; Hamza rises, answers,
and takes his flute.
category: action
evidence_refs:
- ev:6
- id: obs:17
text: A three-day and three-night religious festival is kept in Hamza’s house, and
more than a hundred Roman misbelievers are said to convert to Islam.
category: sequence
evidence_refs:
- ev:6
- id: obs:18
text: When Jelāl leaves Hamza’s house, life also departs from the corpse.
category: sequence
evidence_refs:
- ev:6
- id: obs:19
text: A beloved hunchback disciple beats his tambourine and shouts ecstatically
at a festival, while Jelāl is also spiritually moved.
category: action
evidence_refs:
- ev:7
figures:
- id: fig:1
name_or_label: the heifer
description: A heifer reported as never seen again in Qonya’s meadows.
role_refs:
- role:1
evidence_refs:
- ev:1
- id: fig:2
name_or_label: Jelāl
description: The central saintly figure in the anecdotes, performing miracles, instructing
disciples, and interpreting sacred poetry.
role_refs:
- role:2
- role:3
- role:4
evidence_refs:
- ev:2
- ev:3
- ev:4
- ev:6
- ev:7
- id: fig:3
name_or_label: grandees and company at Perwāna’s palace
description: Guests who bring large waxlights, smile at Jelāl’s small taper, witness
the darkness and restored light, and are associated with conversions.
role_refs:
- role:5
evidence_refs:
- ev:2
- id: fig:4
name_or_label: Qāni’ī
description: A poet-laureate who criticizes Sanā’ī, is rebuked by Jelāl, repents,
and becomes Jelāl’s disciple.
role_refs:
- role:6
- role:7
evidence_refs:
- ev:3
- id: fig:5
name_or_label: Sanā’ī
description: A poet whose Qur’ānic poetry and Ilāhī-nāma are praised by Jelāl.
role_refs:
- role:8
evidence_refs:
- ev:3
- ev:4
- id: fig:6
name_or_label: Husāmu-’d-Dīn
description: A figure whose disciple is preparing to take a vow, and who explains
the arrangement to Jelāl.
role_refs:
- role:9
evidence_refs:
- ev:4
- id: fig:7
name_or_label: disciple of Husāmu-’d-Dīn
description: A disciple wishing to vow never to do an act not authorized by Islamic
Canon Law.
role_refs:
- role:10
evidence_refs:
- ev:4
- id: fig:8
name_or_label: Adam
description: The first human in the reported narrative, offered three divine pearls
and choosing wisdom.
role_refs:
- role:11
evidence_refs:
- ev:5
- id: fig:9
name_or_label: God / divine presence
description: Commands Gabriel to offer the pearls to Adam and later tells Gabriel
to leave them.
role_refs:
- role:12
evidence_refs:
- ev:5
- id: fig:10
name_or_label: Gabriel
description: The angel commanded to carry the three pearls in a golden salver and
offer them to Adam.
role_refs:
- role:13
evidence_refs:
- ev:5
- id: fig:11
name_or_label: wisdom, faith, and modesty as pearls
description: Three personified pearls from the divine treasury; faith and modesty
refuse separation from wisdom.
role_refs:
- role:14
evidence_refs:
- ev:5
- id: fig:12
name_or_label: Hamza
description: A flute-player beloved by Jelāl who dies, rises at Jelāl’s command,
plays his flute, and loses life again when Jelāl leaves.
role_refs:
- role:15
evidence_refs:
- ev:6
- id: fig:13
name_or_label: Jelāl’s disciples sent to Hamza
description: Disciples sent by Jelāl to prepare Hamza’s dead body in grave-clothes.
role_refs:
- role:16
evidence_refs:
- ev:6
- id: fig:14
name_or_label: Roman misbelievers
description: More than a hundred people said to be converted during the festival
at Hamza’s house.
role_refs:
- role:17
evidence_refs:
- ev:6
- id: fig:15
name_or_label: hunchback tambourine-player
description: A devout disciple loved by Jelāl who plays tambourine and shouts ecstatically
at a festival.
role_refs:
- role:18
evidence_refs:
- ev:7
roles:
- id: role:1
label: vanishing animal
assigned_to:
- fig:1
basis: The animal is reported as never being seen again in Qonya’s meadows.
evidence_refs:
- ev:1
- id: role:2
label: miracle-working saintly master
assigned_to:
- fig:2
basis: Jelāl extinguishes and restores the candles through his taper and sigh, and
later raises Hamza temporarily.
evidence_refs:
- ev:2
- ev:6
- id: role:3
label: spiritual interpreter and rebuker
assigned_to:
- fig:2
basis: Jelāl rebukes Qāni’ī and interprets Sanā’ī’s poetry and book as spiritually
authoritative.
evidence_refs:
- ev:3
- ev:4
- id: role:4
label: participant in ecstatic festival
assigned_to:
- fig:2
basis: Jelāl is described as greatly moved in spirit during the tambourine-player’s
ecstatic performance.
evidence_refs:
- ev:7
- id: role:5
label: skeptical witnesses to light miracle
assigned_to:
- fig:3
basis: The grandees smile at the small taper and then witness the candles go dark
and burn again.
evidence_refs:
- ev:2
- id: role:6
label: critic of sacred poetry
assigned_to:
- fig:4
basis: Qāni’ī declares Sanā’ī not Muslim because of Qur’ānic quotation in poetry.
evidence_refs:
- ev:3
- id: role:7
label: repentant new disciple
assigned_to:
- fig:4
basis: After Jelāl’s rebuke, Qāni’ī asks forgiveness and becomes one of Jelāl’s
disciples.
evidence_refs:
- ev:3
- id: role:8
label: revered poet of Qur’ānic mysteries
assigned_to:
- fig:5
basis: Jelāl praises Sanā’ī’s poetry as an exposition of Qur’ānic mysteries and
praises the Ilāhī-nāma.
evidence_refs:
- ev:3
- ev:4
- id: role:9
label: teacher administering a vow
assigned_to:
- fig:6
basis: Husāmu-’d-Dīn explains that one of his disciples is about to make a vow against
backsliding.
evidence_refs:
- ev:4
- id: role:10
label: vow-taker
assigned_to:
- fig:7
basis: The disciple wishes to make a vow never to act outside Islamic Canon Law.
evidence_refs:
- ev:4
- id: role:11
label: first recipient choosing divine gift
assigned_to:
- fig:8
basis: Adam is offered three pearls and chooses wisdom.
evidence_refs:
- ev:5
- id: role:12
label: divine commander
assigned_to:
- fig:9
basis: God commands Gabriel to offer the pearls and a divine voice later instructs
Gabriel to leave them.
evidence_refs:
- ev:5
- id: role:13
label: angelic messenger
assigned_to:
- fig:10
basis: Gabriel carries the pearls in a golden salver and presents them to Adam.
evidence_refs:
- ev:5
- id: role:14
label: inseparable divine virtues
assigned_to:
- fig:11
basis: The pearls identify themselves as companions of God’s glory and refuse separation
from wisdom.
evidence_refs:
- ev:5
- id: role:15
label: temporarily revived dead musician
assigned_to:
- fig:12
basis: Hamza rises at Jelāl’s command, plays flute during a festival, and becomes
lifeless again when Jelāl departs.
evidence_refs:
- ev:6
- id: role:16
label: funerary attendants
assigned_to:
- fig:13
basis: Jelāl sends disciples to array Hamza in grave-clothes.
evidence_refs:
- ev:6
- id: role:17
label: converts through miracle-festival
assigned_to:
- fig:14
basis: More than a hundred Roman misbelievers are said to convert during the events
following Hamza’s revival.
evidence_refs:
- ev:6
- id: role:18
label: ecstatic devotional musician
assigned_to:
- fig:15
basis: The hunchback disciple beats a tambourine and shouts in ecstasy at a festival.
evidence_refs:
- ev:7
symbols:
- id: sym:1
label: small taper and large candles
literal_form: Jelāl’s small wax-taper and the guests’ large waxlights
associated_figures:
- fig:2
- fig:3
taxonomy_refs:
- fire
evidence_refs:
- ev:2
- id: sym:2
label: darkness after extinguished taper
literal_form: The company left in darkness after Jelāl blows out his taper
associated_figures:
- fig:2
- fig:3
taxonomy_refs: []
evidence_refs:
- ev:2
- id: sym:3
label: sigh-kindled fire
literal_form: Jelāl’s sigh causes his taper to take fire
associated_figures:
- fig:2
taxonomy_refs:
- fire
evidence_refs:
- ev:2
- id: sym:4
label: Ilāhī-nāma as oath book
literal_form: A copy of Sanā’ī’s Ilāhī-nāma placed on a lectern, covered with cloth,
and used for a vow
associated_figures:
- fig:5
- fig:6
- fig:7
taxonomy_refs: []
evidence_refs:
- ev:4
- id: sym:5
label: milk, cream, and butter metaphor
literal_form: The Word of God as milk; the Ilāhī-nāma as cream and butter
associated_figures:
- fig:2
- fig:5
taxonomy_refs:
- milk
evidence_refs:
- ev:4
- id: sym:6
label: three divine pearls
literal_form: Pearls of wisdom, faith, and modesty from the divine treasury
associated_figures:
- fig:8
- fig:9
- fig:10
- fig:11
taxonomy_refs: []
evidence_refs:
- ev:5
- id: sym:7
label: golden salver
literal_form: A golden salver holding the three pearls offered to Adam
associated_figures:
- fig:8
- fig:10
- fig:11
taxonomy_refs: []
evidence_refs:
- ev:5
- id: sym:8
label: body seats of virtues
literal_form: Wisdom on Adam’s brain, faith in his heart, modesty in his countenance
associated_figures:
- fig:8
- fig:11
taxonomy_refs: []
evidence_refs:
- ev:5
- id: sym:9
label: flute of Hamza
literal_form: Hamza’s flute, taken up after he rises from death
associated_figures:
- fig:12
taxonomy_refs: []
evidence_refs:
- ev:6
- id: sym:10
label: tambourine of ecstatic disciple
literal_form: Tambourine beaten by the hunchback disciple at a festival
associated_figures:
- fig:15
taxonomy_refs: []
evidence_refs:
- ev:7
scenes:
- id: scene:1
label: Disappearance of the heifer
summary: A heifer is reported to have vanished from the meadows of Qonya.
figure_refs:
- fig:1
symbol_refs: []
evidence_refs:
- ev:1
- id: scene:2
label: Taper and candles at Perwāna’s palace
summary: 'Jelāl uses a small taper to demonstrate that the assembly’s large candles
depend on it: when his taper is put out all lights go out, and when it catches
fire from his sigh the candles burn again.'
figure_refs:
- fig:2
- fig:3
symbol_refs:
- sym:1
- sym:2
- sym:3
evidence_refs:
- ev:2
- id: scene:3
label: Qāni’ī rebuked and converted to discipleship
summary: Qāni’ī criticizes Sanā’ī’s use of Qur’ānic material; Jelāl rebukes him
and praises Sanā’ī’s spiritual knowledge, after which Qāni’ī repents and joins
Jelāl’s disciples.
figure_refs:
- fig:2
- fig:4
- fig:5
symbol_refs: []
evidence_refs:
- ev:3
- id: scene:4
label: Vow on the Ilāhī-nāma
summary: A disciple is to take a vow using Sanā’ī’s Ilāhī-nāma as the oath book,
and Jelāl declares that forswearing on it would draw severe chastisement, comparing
it to cream and butter from the milk of the Word of God.
figure_refs:
- fig:2
- fig:5
- fig:6
- fig:7
symbol_refs:
- sym:4
- sym:5
evidence_refs:
- ev:4
- id: scene:5
label: Adam and the three pearls
summary: God commands Gabriel to offer Adam wisdom, faith, and modesty as pearls;
Adam chooses wisdom, but faith and modesty refuse to separate from it and remain
as heirlooms of Adam’s chosen children.
figure_refs:
- fig:8
- fig:9
- fig:10
- fig:11
symbol_refs:
- sym:6
- sym:7
- sym:8
evidence_refs:
- ev:5
- id: scene:6
label: Temporary revival of Hamza
summary: Jelāl commands the dead Hamza to arise; Hamza rises and plays flute during
a three-day festival, many convert, and life leaves the body when Jelāl departs.
figure_refs:
- fig:2
- fig:12
- fig:13
- fig:14
symbol_refs:
- sym:9
evidence_refs:
- ev:6
- id: scene:7
label: Ecstatic tambourine at a festival
summary: A hunchback disciple beloved by Jelāl beats a tambourine and shouts ecstatically
at a festival, and Jelāl is spiritually moved.
figure_refs:
- fig:2
- fig:15
symbol_refs:
- sym:10
evidence_refs:
- ev:7
candidate_motifs:
- id: motif:1
label: sacred light dependent on saintly taper
taxonomy_refs: []
basis: The assembly’s large candles go out when Jelāl extinguishes his small taper
and burn again when his taper is rekindled by his sigh.
evidence_refs:
- ev:2
confidence: medium
cautions: The passage presents a miracle of light but does not explicitly frame
it as a broader cosmological light motif.
- id: motif:2
label: conversion through miracle
taxonomy_refs:
- initiation
basis: The candle miracle and Hamza’s temporary revival are both followed by reported
conversions.
evidence_refs:
- ev:2
- ev:6
confidence: medium
cautions: The text states conversions occurred, but the internal process of initiation
is not described in detail.
- id: motif:3
label: sacred vow on potent text
taxonomy_refs:
- covenant
basis: A disciple prepares a vow against backsliding over the Ilāhī-nāma, and Jelāl
warns that forswearing on it would bring severe chastisement.
evidence_refs:
- ev:4
confidence: medium
cautions: The vow is a religious oath rather than a covenant narrative in a broad
mythic sense.
- id: motif:4
label: inseparable divine virtues given to Adam
taxonomy_refs:
- wisdom
basis: Adam chooses wisdom from three divine pearls, while faith and modesty refuse
separation from wisdom and become heirlooms of Adam’s chosen children.
evidence_refs:
- ev:5
confidence: high
cautions: The motif is strongly present in this local narrative, though its wider
comparative placement is not established by the passage alone.
- id: motif:5
label: temporary resurrection of dead musician
taxonomy_refs:
- resurrection
- death_rebirth
basis: Hamza dies, rises at Jelāl’s command, participates in a festival, and becomes
lifeless again when Jelāl leaves.
evidence_refs:
- ev:6
confidence: high
cautions: The revival is temporary; the passage does not present it as final resurrection.
- id: motif:6
label: ecstatic sacred music and dance
taxonomy_refs:
- mystical_quest
basis: Hamza’s flute accompanies a religious festival after his revival, and the
hunchback disciple beats a tambourine and shouts in ecstasy while Jelāl is moved
in spirit.
evidence_refs:
- ev:6
- ev:7
confidence: medium
cautions: The passage describes devotional ecstasy but does not narrate a full quest
structure.
comparison_claims: []
evidence:
- id: ev:1
type: summary
locator: lines 2685-2686; pre-section note
quote_or_summary: A heifer is said never to have been seen again in the meadows
of Qonya.
source_text_path: texts/public-domain/sufi/project-gutenberg/mesnevi-book-1-redhouse.md
rights_note: Public domain source; summary supplied.
- id: ev:2
type: summary
locator: section 49; lines 2687-2702
quote_or_summary: At Perwāna’s palace, Jelāl brings a small taper while others have
large waxlights; he extinguishes his taper and all candles go dark, then his sigh
rekindles the taper and the candles burn again, leading to conversions.
source_text_path: texts/public-domain/sufi/project-gutenberg/mesnevi-book-1-redhouse.md
rights_note: Public domain source; summary supplied.
- id: ev:3
type: summary
locator: section 50; lines 2703-2737
quote_or_summary: Qāni’ī criticizes Sanā’ī for using Qur’ānic passages in poetry;
Jelāl rebukes him, praises Sanā’ī’s exposition of Qur’ānic mysteries, warns against
denying saints, and Qāni’ī repents and becomes a disciple.
source_text_path: texts/public-domain/sufi/project-gutenberg/mesnevi-book-1-redhouse.md
rights_note: Public domain source; summary supplied.
- id: ev:4
type: summary
locator: section 51; lines 2738-2755
quote_or_summary: A disciple is to take a vow against backsliding on Sanā’ī’s Ilāhī-nāma
instead of the Qur’ān; Jelāl says the Ilāhī-nāma would punish forswearing even
more severely and compares the Word of God to milk and the Ilāhī-nāma to cream
and butter.
source_text_path: texts/public-domain/sufi/project-gutenberg/mesnevi-book-1-redhouse.md
rights_note: Public domain source; summary supplied.
- id: ev:5
type: summary
locator: section 52; lines 2756-2786
quote_or_summary: God orders Gabriel to offer Adam three pearls, wisdom, faith,
and modesty; Adam chooses wisdom, the other pearls refuse separation, and the
virtues take seats in Adam’s brain, heart, and countenance as heirlooms of chosen
descendants.
source_text_path: texts/public-domain/sufi/project-gutenberg/mesnevi-book-1-redhouse.md
rights_note: Public domain source; summary supplied.
- id: ev:6
type: summary
locator: section 53; lines 2787-2805
quote_or_summary: Jelāl commands the dead flute-player Hamza to arise; Hamza rises
and plays flute for a three-day religious festival, over a hundred Roman misbelievers
convert, and life departs from the corpse when Jelāl leaves.
source_text_path: texts/public-domain/sufi/project-gutenberg/mesnevi-book-1-redhouse.md
rights_note: Public domain source; summary supplied.
- id: ev:7
type: summary
locator: section 54; lines 2806-2821
quote_or_summary: A hunchback disciple loved by Jelāl plays tambourine and shouts
in ecstasy at a festival, and Jelāl is greatly moved in spirit with the holy dance.
source_text_path: texts/public-domain/sufi/project-gutenberg/mesnevi-book-1-redhouse.md
rights_note: Public domain source; summary supplied.
confidence:
extraction: high
motif_candidates: medium
comparison_claims: uncertain
notes: The passage consists of clearly segmented anecdotes, making literal extraction
high-confidence. Motif labels are candidate-level and remain subject to review,
especially for broad taxonomy assignment.
reviewer_status:
status: needs_review
reviewer: ''
reviewed_at: ''
notes: Machine-generated draft from OpenAI Batch; not human-reviewed.
extracted_by: openai_batch:gpt-5.5
extracted_at: '2026-04-28'
notes: |-
No comparison claims were added because the passage itself does not explicitly support historical or cross-traditional comparison beyond internal praise of Sanā’ī and Sufi devotional practice.
batch_run_id=motif-extraction-2026-04-28-high-priority
custom_id=motif_extract:sufi-rumi-mesnevi-book-1-redhouse-gutenberg__l2685-l2821
passage_sha256=1165a64d3f460177f720562b9faf17a0a40a10f8c06f31fa4090c5227ff0ec21