Comparative mythology corpus

batch.motif.comparative-golden-bough-volume-1-frazer-gutenberg-l6100-l6145

batch.motif.comparative-golden-bough-volume-1-frazer-gutenberg-l6100-l6145

---
record_id: batch.motif.comparative-golden-bough-volume-1-frazer-gutenberg-l6100-l6145
source_text_path: texts/public-domain/comparative/project-gutenberg/golden-bough-volume-1-frazer.md
passage_locator:
  label: MACAULAY. / CHAPTER II. THE PERILS OF THE SOUL. / HEINE. / CHAPTER III. KILLING
    THE GOD.; lines 6100-6145
  start: '6100'
  end: '6145'
  translation: 'The Golden Bough: A Study in Comparative Religion (Vol. 1 of 2)'
  notes: Generated from OpenAI Batch run motif-extraction-2026-04-28-high-priority;
    human review required.
canonical_text:
  quote: ''
  summary: 'Frazer introduces a comparative discussion of vegetation deities associated
    with death and revival, then summarizes rites and legends of Adonis or Thammuz:
    Adonis is described as a youthful beloved of Aphrodite, slain by a boar, annually
    mourned with corpse-like images and in some places celebrated as revived. The
    passage describes Alexandrian and Byblian ceremonies, including marriage display,
    mourning processions to the sea, revival and ascent, and natural signs such as
    a blood-red river and red anemones connected with Adonis''s blood.'
  language: English
  quote_policy: summarized
literal_observations:
- id: obs:1
  text: The passage states that Egypt and Western Asia widely celebrated the death
    and resurrection of vegetation under divine names including Osiris, Adonis, Thammuz,
    Attis, and Dionysus.
  category: other
  evidence_refs:
  - ev:1
- id: obs:2
  text: Adonis worship is said to have been practiced by Semitic peoples of Syria
    and borrowed by Greeks by at least the fifth century before Christ.
  category: relationship
  evidence_refs:
  - ev:2
- id: obs:3
  text: Adonis is described as a fair youth beloved by Aphrodite, identified parenthetically
    with the Semitic Astarte, and slain by a boar in his youth.
  category: relationship
  evidence_refs:
  - ev:3
- id: obs:4
  text: The death of Adonis was annually lamented, chiefly by women, and images dressed
    like corpses were carried out as if for burial and then thrown into the sea or
    springs.
  category: action
  evidence_refs:
  - ev:4
- id: obs:5
  text: In some places the revival of Adonis was celebrated on the following day.
  category: sequence
  evidence_refs:
  - ev:4
- id: obs:6
  text: At Alexandria, images of Adonis and Aphrodite were displayed on two couches
    with fruits, cakes, potted plants, and green bowers twined with anise beside them.
  category: setting
  evidence_refs:
  - ev:5
- id: obs:7
  text: At Alexandria, the marriage of the lovers was celebrated on one day, and the
    next day Adonis's image was carried by mourning women to the seashore and committed
    to the waves.
  category: sequence
  evidence_refs:
  - ev:6
- id: obs:8
  text: At Byblus, Adonis's death was annually mourned with weeping, wailing, and
    beating of the breast; the next day he was believed to revive and ascend to heaven
    before his worshippers.
  category: sequence
  evidence_refs:
  - ev:7
- id: obs:9
  text: The Byblus celebration is linked in the passage with the spring discoloration
    of the river Adonis, whose water and nearby sea become blood-red from red earth
    washed from the mountains.
  category: setting
  evidence_refs:
  - ev:8
- id: obs:10
  text: The red anemone is said to have sprung from the blood of Adonis and to bloom
    in Syria about Easter.
  category: object
  evidence_refs:
  - ev:9
figures:
- id: fig:1
  name_or_label: Adonis / Thammuz
  description: A deity or divine youth central to the rites described; called Adonis
    or Thammuz, beloved by Aphrodite, killed by a boar, mourned, and in some places
    celebrated as revived.
  role_refs:
  - role:1
  - role:2
  - role:3
  evidence_refs:
  - ev:2
  - ev:3
  - ev:4
  - ev:7
- id: fig:2
  name_or_label: Aphrodite / Astarte
  description: Aphrodite, parenthetically identified with the Semitic Astarte, is
    described as the beloved of Adonis and is displayed with him in Alexandrian rites.
  role_refs:
  - role:4
  - role:5
  evidence_refs:
  - ev:3
  - ev:5
  - ev:6
- id: fig:3
  name_or_label: Boar
  description: The animal said to have slain Adonis in his youthful prime.
  role_refs:
  - role:6
  evidence_refs:
  - ev:3
  - ev:8
- id: fig:4
  name_or_label: Women mourners
  description: Women chiefly lament Adonis; at Alexandria women dressed as mourners
    carry the image of Adonis to the seashore.
  role_refs:
  - role:7
  evidence_refs:
  - ev:4
  - ev:6
- id: fig:5
  name_or_label: Worshippers at Byblus
  description: The people before whom Adonis was believed to come to life again and
    ascend to heaven.
  role_refs:
  - role:8
  evidence_refs:
  - ev:7
- id: fig:6
  name_or_label: Osiris, Attis, Dionysus, and other vegetation deities
  description: Named with Adonis and Thammuz as deities through whom the decay and
    revival of vegetation were represented in rites.
  role_refs:
  - role:9
  evidence_refs:
  - ev:1
roles:
- id: role:1
  label: dying youth
  assigned_to:
  - fig:1
  basis: Adonis is described as a fair youth slain by a boar in his prime.
  evidence_refs:
  - ev:3
- id: role:2
  label: revived figure
  assigned_to:
  - fig:1
  basis: The passage says his revival was celebrated in some places and that at Byblus
    he was believed to come to life again.
  evidence_refs:
  - ev:4
  - ev:7
- id: role:3
  label: vegetation-deity figure
  assigned_to:
  - fig:1
  basis: Adonis or Thammuz is introduced within a discussion of rites representing
    the decay and revival of vegetation.
  evidence_refs:
  - ev:1
  - ev:2
- id: role:4
  label: divine beloved
  assigned_to:
  - fig:2
  basis: Aphrodite is named as the beloved of Adonis, and their marriage is ritually
    celebrated at Alexandria.
  evidence_refs:
  - ev:3
  - ev:6
- id: role:5
  label: ritual partner in displayed images
  assigned_to:
  - fig:2
  basis: At Alexandria images of Adonis and Aphrodite are displayed together on two
    couches.
  evidence_refs:
  - ev:5
- id: role:6
  label: slayer animal
  assigned_to:
  - fig:3
  basis: The boar is described as the animal that killed Adonis.
  evidence_refs:
  - ev:3
- id: role:7
  label: mourning ritual participants
  assigned_to:
  - fig:4
  basis: Women chiefly lament Adonis and carry his image as mourners in the Alexandrian
    rite.
  evidence_refs:
  - ev:4
  - ev:6
- id: role:8
  label: ritual witnesses
  assigned_to:
  - fig:5
  basis: At Byblus, worshippers are present when Adonis is believed to revive and
    ascend.
  evidence_refs:
  - ev:7
- id: role:9
  label: comparative vegetation-deity group
  assigned_to:
  - fig:6
  basis: The passage groups these figures as names under which decay and revival of
    vegetation were represented.
  evidence_refs:
  - ev:1
symbols:
- id: sym:1
  label: corpse-like image of Adonis
  literal_form: Image dressed to resemble a corpse and carried as if to burial
  associated_figures:
  - fig:1
  - fig:4
  taxonomy_refs: []
  evidence_refs:
  - ev:4
  - ev:6
- id: sym:2
  label: sea and springs receiving the image
  literal_form: Sea, springs, seashore, and waves
  associated_figures:
  - fig:1
  - fig:4
  taxonomy_refs:
  - water
  evidence_refs:
  - ev:4
  - ev:6
- id: sym:3
  label: two couches with divine images
  literal_form: Two couches displaying images of Adonis and Aphrodite
  associated_figures:
  - fig:1
  - fig:2
  taxonomy_refs: []
  evidence_refs:
  - ev:5
- id: sym:4
  label: fruits, cakes, potted plants, and green bowers
  literal_form: Ripe fruits, cakes, plants in flower pots, and green bowers twined
    with anise
  associated_figures:
  - fig:1
  - fig:2
  taxonomy_refs: []
  evidence_refs:
  - ev:5
- id: sym:5
  label: blood-red river and sea
  literal_form: River Adonis and sea tinged blood-red by red earth from the mountains
  associated_figures:
  - fig:1
  taxonomy_refs:
  - water
  - mountain
  evidence_refs:
  - ev:8
- id: sym:6
  label: red anemone
  literal_form: Red anemone said to spring from the blood of Adonis
  associated_figures:
  - fig:1
  taxonomy_refs: []
  evidence_refs:
  - ev:9
- id: sym:7
  label: boar
  literal_form: Boar that kills Adonis
  associated_figures:
  - fig:1
  - fig:3
  taxonomy_refs: []
  evidence_refs:
  - ev:3
  - ev:8
- id: sym:8
  label: ascent to heaven
  literal_form: Adonis believed to ascend up to heaven after coming to life again
  associated_figures:
  - fig:1
  - fig:5
  taxonomy_refs: []
  evidence_refs:
  - ev:7
scenes:
- id: scene:1
  label: Comparative introduction to vegetation rites
  summary: The passage presents Osiris, Adonis, Thammuz, Attis, and Dionysus as divine
    names under which several ancient cultures represented the decay and revival of
    vegetation through rites.
  figure_refs:
  - fig:1
  - fig:6
  symbol_refs: []
  evidence_refs:
  - ev:1
- id: scene:2
  label: Legendary death of Adonis
  summary: Adonis is identified as a youthful beloved of Aphrodite and is said to
    be killed by a boar.
  figure_refs:
  - fig:1
  - fig:2
  - fig:3
  symbol_refs:
  - sym:7
  evidence_refs:
  - ev:3
- id: scene:3
  label: General mourning and burial-like rites
  summary: Women annually lament Adonis, carry corpse-like images as if to burial,
    cast them into water, and in some places celebrate his revival the following day.
  figure_refs:
  - fig:1
  - fig:4
  symbol_refs:
  - sym:1
  - sym:2
  evidence_refs:
  - ev:4
- id: scene:4
  label: Alexandrian display, marriage, and sea rite
  summary: At Alexandria, images of Adonis and Aphrodite are displayed with fruits,
    cakes, plants, and bowers; one day their marriage is celebrated, and the next
    day Adonis's image is taken by mourning women to the sea and committed to the
    waves.
  figure_refs:
  - fig:1
  - fig:2
  - fig:4
  symbol_refs:
  - sym:1
  - sym:2
  - sym:3
  - sym:4
  evidence_refs:
  - ev:5
  - ev:6
- id: scene:5
  label: Byblian mourning, revival, and ascent
  summary: At Byblus, the death of Adonis is mourned with intense lamentation, and
    on the next day he is believed to revive and ascend to heaven before his worshippers.
  figure_refs:
  - fig:1
  - fig:5
  symbol_refs:
  - sym:8
  evidence_refs:
  - ev:7
- id: scene:6
  label: Blood signs in river and flower
  summary: The spring discoloration of the river Adonis and the red anemone are connected
    in the passage with the blood of Adonis.
  figure_refs:
  - fig:1
  symbol_refs:
  - sym:5
  - sym:6
  evidence_refs:
  - ev:8
  - ev:9
candidate_motifs:
- id: motif:1
  label: Dying and reviving vegetation deity
  taxonomy_refs:
  - dying_and_returning
  - death_rebirth
  - seasonal_cycle
  basis: The passage explicitly frames Adonis or Thammuz and other deities as representing
    the decay and revival of vegetation, and describes annual mourning followed by
    revival rites or belief in renewed life.
  evidence_refs:
  - ev:1
  - ev:4
  - ev:7
  confidence: high
  cautions: The identification as vegetation-deity interpretation is Frazer's comparative
    framing, not an independent primary-source statement within this excerpt.
- id: motif:2
  label: Ritual lamentation for dead god
  taxonomy_refs:
  - dying_and_returning
  basis: Adonis's death is annually mourned with wailing, beating of the breast, and
    women carrying an image dressed like a corpse.
  evidence_refs:
  - ev:4
  - ev:6
  - ev:7
  confidence: high
  cautions: The passage reports variations by place and season.
- id: motif:3
  label: Sacred marriage followed by death rite
  taxonomy_refs:
  - sacred_marriage
  basis: The Alexandrian rite celebrates the marriage of Adonis and Aphrodite on one
    day and carries Adonis's image to the sea as a mourning rite the next day.
  evidence_refs:
  - ev:5
  - ev:6
  confidence: medium
  cautions: The passage describes this specifically for Alexandria and does not generalize
    it to all Adonis rites.
- id: motif:4
  label: Blood of the slain god marked in landscape and flower
  taxonomy_refs: []
  basis: The blood-red river and the red anemone are interpreted in the passage as
    signs or products of Adonis's blood after his death.
  evidence_refs:
  - ev:8
  - ev:9
  confidence: medium
  cautions: The passage also gives a natural explanation for the river color as red
    earth washed from the mountains.
- id: motif:5
  label: Revival and ascent after mourning
  taxonomy_refs:
  - resurrection
  - ascent
  basis: At Byblus, the day after mourning, Adonis is believed to come to life again
    and ascend to heaven before worshippers.
  evidence_refs:
  - ev:7
  confidence: high
  cautions: This form is specifically attached to the Byblus celebration in the passage.
comparison_claims:
- id: claim:1
  claim: The passage presents rites of Osiris, Adonis, Thammuz, Attis, and Dionysus
    as substantially similar representations of the decay and revival of vegetation.
  claim_level: same_motif
  target: Osiris, Adonis, Thammuz, Attis, and Dionysus as vegetation death-and-revival
    figures
  evidence_refs:
  - ev:1
  counter_evidence_refs: []
  confidence: medium
  limitations: This is Frazer's comparative claim within the passage; the excerpt
    does not provide detailed evidence for each named deity.
- id: claim:2
  claim: The passage states that ancient Near Eastern and Mediterranean vegetation
    rites have parallels in European spring and midsummer peasant customs.
  claim_level: same_function
  target: European spring and midsummer peasant customs
  evidence_refs:
  - ev:1
  counter_evidence_refs: []
  confidence: medium
  limitations: The passage asserts parallels but does not describe the European customs
    in this excerpt.
- id: claim:3
  claim: The passage states that Greek worship of Adonis was borrowed from the Semitic
    peoples of Syria.
  claim_level: historical_contact
  target: Greek adoption of Syrian/Semitic Adonis worship
  evidence_refs:
  - ev:2
  counter_evidence_refs: []
  confidence: medium
  limitations: The statement is reported as part of Frazer's account; the excerpt
    itself does not present the supporting historical evidence.
- id: claim:4
  claim: The passage treats the Alexandrian and Byblian rites as local variants of
    an Adonis death-and-revival pattern.
  claim_level: same_motif
  target: Alexandria and Byblus Adonis rites
  evidence_refs:
  - ev:4
  - ev:5
  - ev:6
  - ev:7
  counter_evidence_refs: []
  confidence: high
  limitations: The passage notes that ceremonies varied in manner and season across
    places.
evidence:
- id: ev:1
  type: summary
  locator: lines 6100-6111
  quote_or_summary: Egyptians, Syrians, Babylonians, Phrygians, and Greeks are said
    to represent decay and revival of vegetation under names including Osiris, Adonis,
    Thammuz, Attis, and Dionysus, with rites called substantially similar and paralleled
    in European peasant customs.
  source_text_path: texts/public-domain/comparative/project-gutenberg/golden-bough-volume-1-frazer.md
  rights_note: Public domain source; summarized.
- id: ev:2
  type: summary
  locator: lines 6112-6115
  quote_or_summary: Adonis worship is described as practiced by Semitic peoples of
    Syria and borrowed by Greeks by at least the fifth century before Christ; the
    name is explained as Phoenician Adon, meaning lord.
  source_text_path: texts/public-domain/comparative/project-gutenberg/golden-bough-volume-1-frazer.md
  rights_note: Public domain source; summarized.
- id: ev:3
  type: summary
  locator: lines 6115-6117
  quote_or_summary: Adonis is said to be a fair youth, beloved by Aphrodite or Astarte,
    and slain by a boar in his youthful prime.
  source_text_path: texts/public-domain/comparative/project-gutenberg/golden-bough-volume-1-frazer.md
  rights_note: Public domain source; summarized.
- id: ev:4
  type: summary
  locator: lines 6117-6122
  quote_or_summary: His death is annually lamented, chiefly by women; corpse-like
    images are carried out as to burial and thrown into the sea or springs; in some
    places his revival is celebrated on the following day.
  source_text_path: texts/public-domain/comparative/project-gutenberg/golden-bough-volume-1-frazer.md
  rights_note: Public domain source; summarized.
- id: ev:5
  type: summary
  locator: lines 6123-6127
  quote_or_summary: At Alexandria, images of Adonis and Aphrodite are displayed on
    two couches, with ripe fruits, cakes, potted plants, and green bowers twined with
    anise set beside them.
  source_text_path: texts/public-domain/comparative/project-gutenberg/golden-bough-volume-1-frazer.md
  rights_note: Public domain source; summarized.
- id: ev:6
  type: summary
  locator: lines 6127-6131
  quote_or_summary: At Alexandria, the lovers' marriage is celebrated one day; on
    the next, Adonis's image is borne by mourning women with streaming hair and bared
    breasts to the seashore and committed to the waves.
  source_text_path: texts/public-domain/comparative/project-gutenberg/golden-bough-volume-1-frazer.md
  rights_note: Public domain source; summarized.
- id: ev:7
  type: summary
  locator: lines 6133-6137
  quote_or_summary: At Byblus, Adonis's death is mourned with weeping, wailing, and
    breast-beating; the next day he is believed to come to life again and ascend to
    heaven in the presence of worshippers.
  source_text_path: texts/public-domain/comparative/project-gutenberg/golden-bough-volume-1-frazer.md
  rights_note: Public domain source; summarized.
- id: ev:8
  type: summary
  locator: lines 6137-6142
  quote_or_summary: The Byblus celebration is linked to spring discoloration of the
    river Adonis, when red earth from the mountains tinges the river and sea blood-red,
    believed to be the blood of Adonis wounded by the boar on Mount Lebanon.
  source_text_path: texts/public-domain/comparative/project-gutenberg/golden-bough-volume-1-frazer.md
  rights_note: Public domain source; summarized.
- id: ev:9
  type: summary
  locator: lines 6142-6145
  quote_or_summary: The red anemone is said to have sprung from Adonis's blood and
    blooms in Syria about Easter; Arabs are said still to call it wounds of the Naaman.
  source_text_path: texts/public-domain/comparative/project-gutenberg/golden-bough-volume-1-frazer.md
  rights_note: Public domain source; summarized.
confidence:
  extraction: high
  motif_candidates: medium
  comparison_claims: medium
  notes: Extraction is based directly on the provided passage. Motif and comparison
    fields reflect Frazer's comparative framing and should be reviewed against primary
    sources and current scholarship.
reviewer_status:
  status: needs_review
  reviewer: ''
  reviewed_at: ''
  notes: Machine-generated draft from OpenAI Batch; not human-reviewed.
extracted_by: openai_batch:gpt-5.5
extracted_at: '2026-04-28'
notes: |-
  No external sources were used; taxonomy references were limited to the provided lists.
  batch_run_id=motif-extraction-2026-04-28-high-priority
  custom_id=motif_extract:comparative-golden-bough-volume-1-frazer-gutenberg__l6100-l6145
  passage_sha256=7d4a8c20011d7e2a10ac29e750c0b824172d72f71c4fa7d2de4be507b0e97eda